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  2. ii–V–I progression - Wikipedia

    en.wikipedia.org/wiki/Ii–V–I_progression

    In jazz, the ii is typically played as a minor 7th chord, and the I is typically played as a major 7th chord (though it can also be played as a major 6th chord). The ii 7 –V 7 –I maj7 progression provides smooth voice leading between the thirds and sevenths of these chords; the third of one chord becomes the seventh of the next chord, and ...

  3. List of chord progressions - Wikipedia

    en.wikipedia.org/wiki/List_of_chord_progressions

    IV-V-I-vi chord progression in C major: 4: Major I–V–vi–IV: I–V–vi–IV chord progression in C: 4: Major I–IV– ♭ VII–IV: I–IV– ♭ VII–IV. 3: Mix. ii–V–I progression: ii–V–I: 3: Major ii–V–I with tritone substitution (♭ II7 instead of V7) ii– ♭ II –I: 3: Major ii-V-I with ♭ III + as dominant ...

  4. Chord progression - Wikipedia

    en.wikipedia.org/wiki/Chord_progression

    Therefore, a seven-note diatonic scale allows seven basic diatonic triads, each degree of the scale becoming the root of its own chord. [1] A chord built upon the note E is an E chord of some type (major, minor, diminished, etc.) Chords in a progression may also have more than three notes, such as in the case of a seventh chord (V 7 is ...

  5. I–V–vi–IV progression - Wikipedia

    en.wikipedia.org/wiki/I–V–vi–IV_progression

    I–V–vi–IV progression in C Play ⓘ vi–IV–I–V progression in C Play ⓘ The I–V–vi–IV progression is a common chord progression popular across several music genres. It uses the I, V, vi, and IV chords of the diatonic scale. For example, in the key of C major, this progression would be C–G–Am–F. [1] Rotations include:

  6. List of chords - Wikipedia

    en.wikipedia.org/wiki/List_of_chords

    0 4 7 e 2 5: Major Major seventh chord: Play ... 1 5 8: Major Ninth augmented fifth chord [2] [4] Play ...

  7. Backdoor progression - Wikipedia

    en.wikipedia.org/wiki/Backdoor_progression

    Backdoor compared with the dominant (front door) in the chromatic circle: they share two tones and are transpositionally equivalent. In jazz and jazz harmony, the chord progression from iv 7 to ♭ VII 7 to I (the tonic or "home" chord) has been nicknamed the backdoor progression [1] [2] or the backdoor ii-V, as described by jazz theorist and author Jerry Coker.

  8. Roman numeral analysis - Wikipedia

    en.wikipedia.org/wiki/Roman_numeral_analysis

    These chords are all borrowed from the key of E minor. Similarly, in minor keys, chords from the parallel major may also be "borrowed". For example, in E minor, the diatonic chord built on the fourth scale degree is IVm, or A minor. However, in practice, many songs in E minor will use IV (A major), which is borrowed from the key of E major.

  9. Category:Chord progressions - Wikipedia

    en.wikipedia.org/wiki/Category:Chord_progressions

    The following 5 files are in this category, out of 5 total. 'Satch Boogie' pitch axis progression.png 566 × 176; 21 KB "April in Paris" refrain.png 552 × 173; 29 KB