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Barnabodha was an Odia primer compiled by Madhusudan Rao. This book is the 6th volume of the original book and was published in 1896. Currently, none of the previous versions of this book are available anywhere in either physical or digital form.
The first foreign book to be translated into Odia was the Bible's New Testament in 1809. It was followed by translation of Hebrew poems by J. Carey in 1814 and John Bunyan's classic The Pilgrim's Progress by A. Sutton in 1820. Madhusudan Rao translated William Cowper's Solitude of Alexander Selkirk as Nirbasitara Vilaapa.
Bhavishya Malika is a Odia language book published in the sixteenth century by the saint Shri Achyutananda Dasa. [1] The book is about predictions of the future by Shri Achyutananda Dasa based on a much older book from the 12th century and the saint was one of the five friends named 'Panchasakha' Sri Ananta Dasa, Sri Jasobanta Dasa, Sri Jagannatha Dasa and Sri Balarama Dasa. [2]
There were multiple books written that summarised the Jagamohana Ramayana called Tika Ramayana. There were several of these abridged versions. One such work by Maheswara Dasa was just forty printed pages. [8] In southern Odisha, the original Odia Ramayana circulated with new material being added over the years.
Madhusudan Rao (29 January 1853 – 28 December 1912) was an Odia poet and writer from India. He was known as Bhaktakabi . His most well known work is the Chhabila Madhu Barnabodha .
He also authored a history of the Odia language, documenting the general use of the language, as also the development of Odia literature. The treatise, Ōḍiā Sāhitẏara Itihāsa (History of Odia language), was published in 1962. [6] [7] Mansingh has also introduced some works of William Shakespeare into Odia literature. [8]
Sarala Dasa (born as Siddheswara Parida) was a 15th-century poet and scholar of Odia literature. [1] Best known for three Odia books — Sarala Mahabharata, Vilanka Ramayana and Chandi Purana — he was the first scholar to write in Odia and his revered as the Adi Kabi (First Poet) of Odia literature. [2]
The archaic and medieval forms of Odia are more influenced by the calligraphy of the scripts of neighbouring regions, such as, In Northern Odisha, where the letters are written in Odia, mixed in with Siddham-derived Gaudi style (that is the right vertical part of the letter is slightly bent inwards).
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