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The video has over 100 million views, making it Maricarmen's most viewed video and the first video by a Peruvian female singer to achieve that. Some parts of the video are shown as flashbacks in Maricarmen's video for her 2019 hit song La Copita, which is a sequel to ¿Por Qué Te Fuiste?. [6]
1997's "Te Amo" was up to that point the band's biggest selling album, earning the band another gold record. Three of the four singles from this album were ballads-"Te Quiero", "Te Amo", and "¿Por Que Te Fuiste?". (The third single, Muñequita, was a cumbia).
Jason Cano (born in Houston, Texas), better known as DJ Kane, is an American singer [1] who was the lead vocalist for the Kumbia Kings from 1999 to 2003 and the Kumbia All Starz from 2008 to 2010.
"Te Fuiste" is a song by Spanish singer Enrique Iglesias featuring Puerto Rican rapper Myke Towers. It was released as single from Iglesias' eleventh studio album Final (Vol. 1) . Music video
The record company released two promotional singles (one English and one Spanish: the title track and the ballad "Por Que Tu Fuiste") to radio stations with intent to appeal to both audiences. [67] The Los Angeles Times wrote that the album was "upbeat and danceable, the lyrics speak almost uniformly of loss, anger, violence and abandonment". [2]
Gonzalez was known for blending a variety of genres into his basic Tejano sound, a formula he continued to use up until his final release, Porque Todavía te Quiero (2018). [2] Gonzalez was pronounced dead in San Antonio, Texas on June 6, 2018, after suffering from low blood sugar as a result of his diabetes .
La Dinastía de Tuzantla, Michoacán, or simply La Dinastía de Tuzantla, is a regional Mexican band from Tuzantla, Michoacán, Mexico, that was founded in 1987.It specializes in the Tierra Caliente genre, and was created by the Toledo family, who are also members of the group. [1]
"Porque te vas" is a romantic ballad [17] that incorporates elements of funk, disco and pop music, featuring a predominant use of the saxophone. [18] Critic Julián Molero of Lafonoteca described the track's instrumentation as "full of self-confidence with almost mocking interventions of the brasses and the crash of the drums releasing unexpected blows". [19]