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A defining aspect of theatre of the 1920s was the development of jazz. [1] Jazz was credited with being the "first distinctively American art form to disseminate US culture, style, and modernity across the globe". [1] Jazz's spread across the globe also applied to American lives and art forms.
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March 15 – The Blue Flame, a four-act play by George V. Hobart and John Willard after Leta Vance Nicholson, opens at the Shubert Theatre (New York City) on Broadway before a year's U.S. tour. Though described by a critic as "one of the worst plays ever written," [3] it is a commercial success, largely due to Theda Bara as the central ...
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The Flying Machine: A One-Act Play for Three Men (1953), by Ray Bradbury; Fools (1981), by Neil Simon; Fortitude (1968), by Kurt Vonnegut; Frankie and Johnny in the Clair de Lune (1982), by Terrence McNally; The Frog Prince (1982), by David Mamet; The Front Page (1928), by Ben Hecht and Charles MacArthur; Fugitive Kind (1937), by Tennessee Williams
These playwrights and many others within the United States went on to write quite successful expressionist plays including Lajos Egri's Rapid Transit (play), first premiering in 1927, [5] and Sophie Treadwell's Machinal, first premiering in 1928. [6] Expressionism in theatre and drama has also experienced success in China and Spain.
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