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Folio 129r of the early eleventh-century Oxford, Bodleian Library, MS Hatton 43, showing a page of Bede's Latin text, with Cædmon's Hymn added in the lower margin. Cædmon's Hymn is a short Old English poem attributed to Cædmon, a supposedly illiterate and unmusical cow-herder who was, according to the Northumbrian monk Bede (d. 735), miraculously empowered to sing in honour of God the Creator.
"Porphyria's Lover" is a poem by Robert Browning which was first published as "Porphyria" in the January 1836 issue of Monthly Repository. [1] Browning later republished it in Dramatic Lyrics (1842) paired with "Johannes Agricola in Meditation" under the title "Madhouse Cells". The poem did not receive its definitive title until 1863.
The Abbey and the upper reaches of the Wye, a painting by William Havell, 1804. Lines Written a Few Miles above Tintern Abbey is a poem by William Wordsworth.The title, Lines Written (or Composed) a Few Miles above Tintern Abbey, on Revisiting the Banks of the Wye during a Tour, July 13, 1798, is often abbreviated simply to Tintern Abbey, although that building does not appear within the poem.
"In The Bazaars of Hyderabad" is a poem by Indian Romanticism and Lyric poet Sarojini Naidu (1879–1949). The work was composed and published in her anthology The Bird of Time (1912)—which included "Bangle-sellers" and "The Bird of Time", it is Naidu's second publication and most strongly nationalist book of poems, published from both London and New York City.
[4] Another similar oration recorded in Germany went "Little bee, our lord is dead; Leave me not in my distress." [ 5 ] Another method involved the male head of the household approaching the hive and knocking gently on it until "the bees’ attention was thus secured" and then saying "in a low voice that such or such a person—mentioning the ...
The Fable of The Bees: or, Private Vices, Publick Benefits (1714) is a book by the Anglo-Dutch social philosopher Bernard Mandeville.It consists of the satirical poem The Grumbling Hive: or, Knaves turn'd Honest, which was first published anonymously in 1705; a prose discussion of the poem, called "Remarks"; and an essay, An Enquiry into the Origin of Moral Virtue.
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Imagism, in the wake of French Symbolism (i.e. vers libre of French Symbolist poets [8]) was the wellspring out of which the main current of Modernism in English flowed. [9] T. S. Eliot later identified this as "the point de repere usually taken as the starting point of modern poetry," [10] as hundreds of poets were led to adopt vers libre as ...
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