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The earliest description of Wuzhiqi can be found in the early 9th century collection of stories from the Tang dynasty, Guoshi bu (國史補) by Li Zhao, which briefly tells of a fisherman in Chuzhou (楚州) who encounters a monkey demon with a black body and a white head in the Huai River. [2]
The Chinese language has numerous words meaning "simian; monkey; ape", some of which have diachronically changed meanings in reference to different simians. For instance, Chinese xingxing 猩猩 was originally named "a mythical creature with a human face and pig body", and became the modern name for the "orangutan".
Chinese mythology holds that the Jade Emperor was charged with running of the three realms: heaven, hell, and the realm of the living. The Jade Emperor adjudicated and meted out rewards and remedies to saints, the living, and the deceased according to a merit system loosely called the Jade Principles Golden Script (玉律金篇, Yù lǜ jīn piān
Kui (Chinese: 夔; pinyin: kuí; Wade–Giles: k'uei) is a polysemous figure in ancient Chinese mythology.Classic texts use this name for the legendary musician Kui who invented music and dancing; for the one-legged mountain demon or rain-god Kui variously said to resemble a Chinese dragon, a drum, or a monkey with a human face; and for the Kuiniu wild yak or buffalo.
Sun Wukong (Chinese: 孫悟空, Mandarin pronunciation: [swə́n ûkʰʊ́ŋ]), also known as the Monkey King, is a literary and religious figure best known as one of the main characters in the 16th-century Chinese novel Journey to the West. [1]
Chinese folklore contains many symbolic folk meanings for the objects and animals within the folktales. One example of this is the symbolic meaning behind frogs and toads. Toads are named Ch'an Chu (蟾蜍) in Chinese, a folklore about Ch'an Chu illustrates the toad imports the implication of eternal life and perpetual. Chinese folklore unfolds ...
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Pages in category "Monkeys and apes in Chinese mythology" The following 7 pages are in this category, out of 7 total. This list may not reflect recent changes .