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sancta simplicitas: holy innocence: Or "sacred simplicity". sancte et sapienter: in a holy and wise way: Also sancte sapienter (holiness, wisdom), motto of several institutions, notably King's College London: sanctum sanctorum: Holy of Holies: referring to a more sacred and/or guarded place, within a lesser guarded, yet also holy location ...
O sacrum convivium" is a Latin prose text honoring the Blessed Sacrament. It is included as an antiphon to the Magnificat in the vespers of the liturgical office on the feast of Corpus Christi . The text of the office has been attributed to Saint Thomas Aquinas .
In law, a de bene esse deposition is used to preserve the testimony of a witness who is expected not to be available to appear at trial and be cross-examined. de bonis asportatis: carrying goods away: In law, trespass de bonis asportatis was the traditional name for larceny, i.e., the unlawful theft of chattels (moveable goods). de dato: of the ...
The nutria (/ ˈ n juː t r i ə /) or coypu (/ ˈ k ɔɪ p uː /) (Myocastor coypus) [1] [2] is a herbivorous, [3] semiaquatic rodent from South America.Classified for a long time as the only member of the family Myocastoridae, [4] Myocastor has since been included within Echimyidae, the family of the spiny rats.
[5] [6] It was combined with the sacred text "Herzlich tut mich verlangen", first in Brieg [7] in an organ tablature. [8] It was first printed with this text in 1613 in Görlitz [7] in the hymnal Harmoniae sacrae. [8] Johann Crüger published it in 1640 in his hymnal Newes vollkömliches Gesangbuch. [9]
The term derives from Ancient Greek οὐροβόρος, [6] from οὐρά oura 'tail' plus -βορός-boros '-eating'. [7] [8]The ouroboros is often interpreted as a symbol for eternal cyclic renewal or a cycle of life, death and rebirth; the snake's skin-sloughing symbolises the transmigration of souls.
Notation of melody and chords for the hymn. [1]Agni Parthene (Greek: Ἁγνὴ Παρθένε), rendered "O Virgin Pure" or "O Pure Virgin", is a Greek Marian hymn composed by St. Nectarios of Aegina in the late 19th century, first published in print in his Theotokarion (Θεοτοκάριον, ἤτοι προσευχητάριον μικρόν) in 1905.
Il secondo libro de madrigali (Second Book of Madrigals, 20 pieces, details table E below) 5 voices: Monteverdi, Venice 1590, repub. 1607, 1621: Texts: Torquato Tasso, Girolamo Casoni, Guarini and others [3] 1592: Madrigal/song: 60–74: Il terzo libro de madrigali (Third Book of Madrigals, 15 pieces, details table F below) 5 voices