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A mixer (mixing console, mixing desk, mixing board, or software mixer) is the operational heart of the mixing process. [10] Mixers offer a multitude of inputs, each fed by a track from a multitrack recorder. Mixers typically have 2 main outputs (in the case of two-channel stereo mixing) or 8 (in the case of surround).
Dialogue, music and sound effects, called "D-M-E", are brought to the final mix as separate stems. Using stem mixing, the dialogue can easily be replaced by a foreign-language version, the effects can easily be adapted to different mono, stereo and surround systems, and the music can be changed to fit the desired emotional response.
The system was established in 1988 [3] by American singing voice specialist Jo Estill, [4] who had been researching in this field since 1979. [5] [6] Estill's research led to a series of vocal manoeuvres to develop specific control over individual muscle groups within the vocal mechanism.
This is a list of software for creating, performing, learning, analyzing, researching, broadcasting and editing music. This article only includes software, not services. For streaming services such as iHeartRadio , Pandora , Prime Music, and Spotify, see Comparison of on-demand streaming music services .
Pro Tools is a digital audio workstation (DAW) developed and released by Avid Technology (formerly Digidesign) [1] for Microsoft Windows and macOS. [2] It is used for music creation and production, sound for picture (sound design, audio post-production and mixing) [3] and, more generally, sound recording, editing, and mastering processes.
A mixing console or mixing desk is an electronic device for mixing audio signals, used in sound recording and reproduction and sound reinforcement systems. Inputs to the console include microphones , signals from electric or electronic instruments, or recorded sounds.
Symphonic Choirs is a vocal synthesizer and vocal library software created by EastWest, designed to imitate an entire vocal choir. The content was created by producers Doug Rogers and Nick Phoenix with recording engineer Keith O. Johnson for EastWest. Recorded in a real concert hall, the software initially had two styles of producing a result ...
The modular system was Avid's first live console to be built on an Ethernet AVB architecture that connects the S3 control surface, up to four Stage 16 I/O racks, and the E3 Engine over Cat5e cables. The system can support up to 64 inputs and was the first VENUE system to enable the sharing of I/O between systems over the Ethernet AVB network. [6]