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"There Will Never Be Another You" is a popular song with music by Harry Warren and lyrics by Mack Gordon that was written for the Twentieth Century Fox musical Iceland (1942) starring Sonja Henie and John Payne. The songs in the film featured Joan Merrill accompanied by Sammy Kaye and His Orchestra. [1]
Added tone chord; Altered chord; Approach chord; Chord names and symbols (popular music) Chromatic mediant; Common chord (music) Diatonic function; Eleventh chord
There are few keys in which one may play the progression with open chords on the guitar, so it is often portrayed with barre chords ("Lay Lady Lay"). The use of the flattened seventh may lend this progression a bluesy feel or sound, and the whole tone descent may be reminiscent of the ninth and tenth chords of the twelve bar blues (V–IV).
In a June 2021 video posted on YouTube, record producer Rick Beato called "Never Gonna Let You Go" "the most complex pop song of all time", due to its use of frequent key changes, inverted chords and unusual chord progressions. [4] Beato's discussion includes a detailed harmonic analysis of the Sérgio Mendes arrangement.
"The More I See You" is a popular song composed by Harry Warren, with lyrics by Mack Gordon. The song was first published in 1945. The song was first published in 1945. The song was introduced by Dick Haymes in the 1945 film Diamond Horseshoe , and also played as an overture under the opening credits and incidental music throughout.
"Cirrus Minor" has an unusual chord sequence: E minor, E flat augmented, G major, C♯ minor 7, C major 7, C minor 7 and B 7. The chords are built around the chromatically descending bass line. The B 7, C major 7 and G major chords are the only chords which fit into the functional context of the E minor key.
the root note (e.g. C ♯) the chord quality (e.g. minor or lowercase m, or the symbols o or + for diminished and augmented chords, respectively; chord quality is usually omitted for major chords) whether the chord is a triad, seventh chord, or an extended chord (e.g. Δ 7) any altered notes (e.g. sharp five, or ♯ 5) any added tones (e.g. add2)
"Love Is Here and Now You're Gone" is a 1967 song recorded by the Supremes for the Motown label. Written and composed by Motown's main production team Holland–Dozier–Holland, it became the second consecutive number-one pop single from the Supremes' album The Supremes Sing Holland–Dozier–Holland and the group's ninth overall chart-topper in the United States on Billboard Hot 100 ...