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The Gospel of John does narrate the account of Jesus healing the son of a royal official at Capernaum at a distance in John 4:46–54. Some modern commentators [4] treat them as the same event. However, in his analysis of Matthew, R. T. France presents linguistic arguments against the equivalence of pais and son and considers these two separate ...
The official, based in Capernaum, may have been in service to either the tetrarch Herod Antipas or the emperor. It is not clear whether he is a Jew or Gentile. [3]The healing of the official's son follows Jesus' conversation with the Samaritan woman regarding "a spring of water welling up to eternal life” and serves as a prelude to Jesus' statement when questioned after healing the paralytic ...
At Simon Peter's house, Gaius humbly requests Jesus to heal his dying servant-son, Ivo, believing even from a distance. Jesus marvels at and acknowledges Gaius' faith, healing Ivo. Before journeying, Big James and John seek Jesus for high-ranking status and seats in his kingdom, upsetting Jesus and bothering the other ten apostles.
The boy is said to have foamed at the mouth, gnashed his teeth, become rigid, and involuntarily fallen into both water and fire. Jesus's followers could not expel the demon, and Jesus condemns the people as unbelieving, but when the father of the boy questions if Jesus could heal the boy, he replies "everything is possible for those that believe".
Rembrandt's Hundred Guilder print, as it has become known, has been famous since his own day for the extraordinarily high price it fetched. A letter to Carolus van den Bosch, the Bishop of Bruges, in 1654, only a few years after it was completed, claimed that "in Holland [it] has been sold various times for 100 guilders and more", saying it was "very fine and lovely, but ought to cost 30 ...
The Head of Christ, also called the Sallman Head, is a 1940 portrait painting of Jesus by Warner Sallman (1892–1968). As an extraordinarily successful work of Christian popular devotional art, [1] it had been reproduced over half a billion times worldwide by the end of the 20th century. [2]
Héliodore Pisan after Gustave Doré, "The Crucifixion", wood-engraving from La Grande Bible de Tours (1866). It depicts the situation described in Luke 23.. The illustrations for La Grande Bible de Tours are a series of 241 wood-engravings, designed by the French artist, printmaker, and illustrator Gustave Doré (1832–1883) for a new deluxe edition of the 1843 French translation of the ...
Christ Healing the Paralytic at the Pool of Bethesda (1667-1670) by Bartolomé Esteban Murillo. Christ Healing the Paralytic at the Pool of Bethesda is a 1667-1670 oil on canvas painting by Bartolomé Esteban Murillo, now in the National Gallery, London, [1] to which it was presented by the Art Fund, which had bought it for £8,000 the body had been given by Graham Robertson's executors.