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Dante is the product name for a combination of software, hardware, and network protocols that delivers uncompressed, multi-channel, low-latency digital audio over a standard Ethernet network using Layer 3 IP packets. [5] Developed in 2006 by the Sydney-based Audinate, Dante builds on previous audio over Ethernet and audio over IP technologies.
It is a layer 3 protocol suite based on existing standards and is designed to allow interoperability between various IP-based audio networking systems such as RAVENNA, Wheatnet, Livewire, Q-LAN and Dante.
The Convivio is a major stage of development for Dante, very different from the visionary world of the Vita Nuova (although like the earlier work it too is a medium for the author’s evolving sense of artistic vocation and philosophical-spiritual quest).
Livewire is an audio-over-IP system created by Axia Audio, a division of Telos Alliance. Its primary purpose is routing and distributing broadcast-quality audio in radio stations . The original Livewire standard was introduced in 2003 and has since been superseded by a second version, Livewire+.
Dante's_Inferno_(1911).webm (WebM audio/video file, VP8, length 1 h 2 min 36 s, 480 × 360 pixels, 731 kbps overall, file size: 327.29 MB) This is a file from the Wikimedia Commons . Information from its description page there is shown below.
There are a number of free sound effects resources of public domain or free content sound recordings appropriate for Wikipedia use available online, and as well as in other contexts. All files should be converted to ogg , Wikipedia's patent-free format of choice.
Dante and his guide, Virgil, make their way into Malebolge by riding on the back of the monster Geryon, the personification of fraud, who possesses the face of an honest man 'good of cheer,' but the tail of a scorpion, who flies them down through the yawning chasm that separates the eighth circle from the seventh circle, where the violent are ...
Inferno X, with just Dante (in red) and Virgil (in blue) coloured. Each page of the manuscript was approximately 32 cm high by 47 cm wide. Since the text of each canto was written on a single page and the accompanying illustration was on a separate page, arranging the two pages in a horizontal format would have been impractical as it would be ...