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Emoto claimed that water was a "blueprint for our reality" and that emotional "energies" and "vibrations" could change its physical structure. [14] His water crystal experiments consisted of exposing water in glasses to various words, pictures, or music, then freezing it and examining the ice crystals' aesthetic properties with microscopic photography. [9]
Radio Ice Cherenkov Experiment (RICE) was an experiment designed to detect the Cherenkov emission in the radio regime of the electromagnetic spectrum from the interaction of high energy neutrinos (greater than 1 P eV, so-called ultra-high energy UHE neutrinos) with the Antarctic ice cap (ice molecules).
Sheet music enables instrumental performers who are able to read music notation (a pianist, orchestral instrument players, a jazz band, etc.) or singers to perform a song or piece. Music students use sheet music to learn about different styles and genres of music. The intended purpose of an edition of sheet music affects its design and layout.
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Being overly attached to one's own ideas can cause research to veer from ordinary junk science (e.g., designing an experiment that is expected to produce the desired results) into scientific fraud (e.g., lying about the results) and pseudoscience (e.g., claiming that the unfavorable results actually proved the idea correct). [5]
The word theory in "the theory of evolution" does not imply scientific doubt regarding its validity; the concepts of theory and hypothesis have specific meanings in a scientific context. While theory in colloquial usage may denote a hunch or conjecture, a scientific theory is a set of principles that explains an observable phenomenon in natural ...
A striking characteristic of the skeptical movement is the fact that while most of the phenomena covered, such as astrology and homeopathy, have been debunked again and again, they stay popular. [6] Frazier reemphasized in 2018 that "[w]e need independent, evidence-based, science-based critical investigation and inquiry now more than perhaps at ...
In the late 11th century, Kyoto experienced dengaku performances that attracted all classes of people, either as observers or as participants. [1] Some of these events ended peacefully, while others descended into violence; however, all were characterized by parades of people dressed in colorful costumes while dancing and playing loud music.