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A soliloquy (/ s ə ˈ l ɪ l. ə. k w i, s oʊ ˈ l ɪ l. oʊ-/, from Latin solo "to oneself" + loquor "I talk", [1] [a] plural soliloquies) is a monologue addressed to oneself, thoughts spoken out loud without addressing another person. [2] [3] Soliloquies are used as a device in drama. In a soliloquy, a character typically is alone on a ...
One of the more interesting poems attributed to Lincoln is "The Suicide's Soliloquy." It was found in the August 25, 1838 issue of the Sangamo Journal of Springfield, Illinois by Richard Lawrence Miller in 1997. After studying the text and concluding that the poem was composed by Lincoln, he announced his discovery in a 2004 newsletter of the ...
The poem was published in the Sangamo Journal, [2] a newspaper in which Lincoln had previously published other works. The poem uses a similar meter, sync, dictation and tone with many other poems published by Lincoln and according to Richard Miller, the man who discovered the poem, the theme of the interplay between rationality and madness is "especially Lincolnian in spirit". [3]
Actor Christopher Walken performing a monologue in the 1984 stage play Hurlyburly. In theatre, a monologue (from Greek: μονόλογος, from μόνος mónos, "alone, solitary" and λόγος lógos, "speech") is a speech presented by a single character, most often to express their thoughts aloud, though sometimes also to directly address another character or the audience.
Also apophthegm. A terse, pithy saying, akin to a proverb, maxim, or aphorism. aposiopesis A rhetorical device in which speech is broken off abruptly and the sentence is left unfinished. apostrophe A figure of speech in which a speaker breaks off from addressing the audience (e.g., in a play) and directs speech to a third party such as an opposing litigant or some other individual, sometimes ...
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Dramatic monologue is a type of poetry written in the form of a speech of an individual character. M.H. Abrams notes the following three features of the dramatic monologue as it applies to poetry: The single person, who is patently not the poet, utters the speech that makes up the whole of the poem, in a specific situation at a critical moment
After a singular LSD experience, Dederich conjured up a drug-free commune for heroin addicts in Santa Monica. Dederich held that addicts lacked maturity or the ability to handle freedom responsibly. They must be broken down to be built back up. “Comfort is not for adults,” Dederich argued in a taped speech during the commune’s early days.
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