Search results
Results from the WOW.Com Content Network
Dies irae. Dies irae (chorus) Tuba mirum (chorus) Mors stupebit (bass) Liber scriptus (mezzo-soprano, chorus – chorus only in original version) Quid sum miser (soprano, mezzo-soprano, tenor) Rex tremendae (soloists, chorus) Recordare (soprano, mezzo-soprano) Ingemisco (tenor) Confutatis maledictis (bass, chorus) Lacrymosa (soloists, chorus) 3 ...
Dies irae: Dies irae, dies illa Solvet saeclum in favilla, teste David cum Sibylla. Quantus tremor est futurus, quando judex est venturus, cuncta stricte discussurus! Tuba mirum: Tuba mirum spargens sonum per sepulcra regionum, coget omnes ante thronum. Mors stupebit et natura, cum resurget creatura, judicanti responsura.
Centre panel from Memling's triptych Last Judgment (c. 1467–1471) " Dies irae" (Ecclesiastical Latin: [ˈdi.es ˈi.re]; "the Day of Wrath") is a Latin sequence attributed to either Thomas of Celano of the Franciscans (1200–1265) [1] or to Latino Malabranca Orsini (d. 1294), lector at the Dominican studium at Santa Sabina, the forerunner of the Pontifical University of Saint Thomas Aquinas ...
In his Mémoires, Berlioz claimed that at the premiere of the work, conductor François Habeneck put down his baton during the dramatic "Tuba mirum" (part of the "Dies irae" movement) while he took a pinch of snuff, prompting the composer to rush to the podium to conduct the rest of the work himself, thereby saving the performance from disaster ...
Requiem e Kyrie: chorus Antonio Bazzini (1818–1897) II. Sequentia: 1. Dies irae: chorus Carlo Pedrotti (1817–1893) 2. Tuba mirum solo (baritone) and chorus Antonio Cagnoni (1828–1896) 3. Quid sum miser duet: soprano, alto Federico Ricci (1809–1877) 4. Recordare Jesu quartet: soprano, alto, baritone, bass Alessandro Nini (1805–1880) 5 ...
Tuba mirum is a part of the Dies irae, a Latin poetic sequence used in Anglican and Catholic liturgies, especially the Requiem Mass. Tuba mirum may also refer to:
Antonín Dvořák: Rekviem – Czech Philharmonic, Czech Philharmonic Chorus, conducted by Karel Ančerl, chorus master Markéta Kühnová; soloists: Maria Stader – soprano, Sieglinde Wagner – alt, Ernst Haefliger – tenor, Kim Borg – bass.
Dies irae — Tuba mirum — Judex ergo — Rex tremendae — Ingemisco — Praeces meae — Confutatis — Oro supplex — Lacrymosa [sic] IV. Offertorium (97 measures). Domine Jesu Christe; V. Communio (37 measures). Lux aeterna; VI. Responsorium (182 measures).