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Presentation of Jesus at the Temple by Fra Angelico. Presentazione di Gesù al Tempio is a fresco by Fra Angelico made for the then Dominican Convent of Saint Mark in Florence, Italy. [1] [2] It depicts the dedication of Jesus in the Temple in Jerusalem as the first-born son of His family, as related in the Gospel of St. Luke, 2:23–24.
After a brief move, it was returned to the same altarpiece and a landscape was added at the bottom, in order to fill the space that was empty (circa 1670). There it remained until the Spanish Civil War. Later, all the paintings by El Greco in the Hospital were exhibited in the palace of the Duchess of Lerma (in the same Hospital).
Art critic Friedrich Pecht wrote that Liebermann's treatment of the biblical narrative was purely humorous and without religious reverence – a witty child who makes fun of a few old people. In his view, Liebermann portrayed Jesus as "the ugliest, snobby Jewish boy imaginable" and the rabbis as a "pack of the sleakiest haggling Jews". [ 9 ]
Catholic art has played a leading role in the history and development of Western art since at least the 4th century. The principal subject matter of Catholic art has been the life and times of Jesus Christ, along with people associated with him, including his disciples, the saints, and motifs from the Catholic Bible.
The latest image is a stark contrast to how He is portrayed in paintings and pictures who appears leaner with long flowy hair. Earlier this year a picture re-emerged that showed what Jesus might ...
The tabernacle was a movable tent shrine created according to God's directions to hold the Ark of the Covenant, the sacred container of the Ten Commandments, God's words. In this painting, the Virgin Mary is the new Ark of the Covenant since she, like the Ark, contained the Word of God (Leith, 117).
Christ in the House of His Parents (1849–50) is a painting by John Everett Millais depicting the Holy Family in Saint Joseph's carpentry workshop. The painting was extremely controversial when first exhibited, prompting many negative reviews, most notably one written by Charles Dickens.
Nativity images became increasing popular in panel paintings in the 15th century, although on altarpieces the Holy Family often had to share the picture space with donor portraits. In Early Netherlandish painting the usual simple shed, little changed from Late Antiquity, developed into an elaborate ruined temple, initially Romanesque in style ...
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