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To fire down a kiln, the potter continues to add a limited amount of fuel after the maximum temperature is reached to slow the cooling process and keep the glazes molten for as long as possible. Tenmoku glazes can range in color from dark plum (persimmon), to yellow, to brown, to black. The most common types of glaze are: [6] Youhen (曜変天目)
Lustreware or lusterware (the respective spellings for British English and American English) is a type of pottery or porcelain with a metallic glaze that gives the effect of iridescence. It is produced by metallic oxides in an overglaze finish, which is given a second firing at a lower temperature in a "muffle kiln", or a reduction kiln ...
Glazes with tin oxide present will often blush to pink if fumed with chrome or if chrome is present in the glaze with the tin, often intense pinks occur. If fired above cone 6, chrome will fume and become a gas in the kiln. Common saturation percentages for chrome at low saturation range from (.25 to .5%) and at higher percentages from (1 to 2%).
Tin-glazing is the process of giving tin-glazed pottery items a ceramic glaze that is white, glossy and opaque, which is normally applied to red or buff earthenware. Tin-glaze is plain lead glaze with a small amount of tin oxide added. [ 1 ]
Maiolica charger from Faenza, after which faience is named, c. 1555; diameter 43 cm, tin-glazed earthenware Tin-glazed (majolica/maiolica) plate from Faenza, Italy. Tin-glazed pottery is earthenware covered in lead glaze with added tin oxide [1] which is white, shiny and opaque (see tin-glazing for the chemistry); usually this provides a background for brightly painted decoration.
Underglaze is a method of decorating pottery in which painted decoration is applied to the surface before it is covered with a transparent ceramic glaze and fired in a kiln. Because the glaze subsequently covers it, such decoration is completely durable, and it also allows the production of pottery with a surface that has a uniform sheen.
Vitreous enamel, also called porcelain enamel, is a material made by fusing powdered glass to a substrate by firing, usually between 750 and 850 °C (1,380 and 1,560 °F). The powder melts, flows, and then hardens to a smooth, durable vitreous coating.
Before firing, the onggijang (onggi craftsperson) glazes its surface. This glaze plays a key role in providing a waterproof surface and preventing leaks. Afterwards, a large amount of sand particles are added to the body of the clay, acting as passages for air. This way, air but not water can pass through the pottery.
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