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The Roland SC-55's CM-32P and MT-32 emulation is based on using preset sounds of the actual devices without using programmable memory or actual device synthesis techniques. [1] This results in poor emulation for software relying on custom programmable MT-32 sounds, as demonstrated by the introduction of the Sierra On-Line game Space Quest III ...
The Roland Sound Canvas (Japanese: ローランド・サウンド・キャンバス, Hepburn: Rōrando Saundo Kyanbasu) lineup is a series of General MIDI (GM) based pulse-code modulation (PCM) sound modules and sound cards, primarily intended for computer music usage, created by Japanese manufacturer Roland Corporation.
The GS extensions were first introduced and implemented on Roland Sound Canvas series modules, starting with the Roland SC-55 in 1991. The first model supported 317 instruments, 16 simultaneous melodic voices, 8 percussion voices and a compatibility mode for Roland MT-32 (although it only emulated it and lacked programmability of original MT-32) and gained explosive popularity.
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Roland CM-32LN: Sound module for the NEC PC-98 series notebook computers, featuring a special connector for direct connection to the computer's 110-pin expansion port. Released in Japan only. Roland CM-500: A combination of the CM-32LN with the Roland GS-compatible Roland CM-300, the "computer music" version of the Roland SC-55. Released around ...
The Roland SCB-7 was a Roland MIDI Daughterboard version of the SC-7 that plugged into the Wave Blaster Connector of the Sound Blaster line of sound cards for the PC. The Roland RAP-10 was an ISA sound card with the SC-7 on board along with digital sampling.
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