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It is mentioned by the character Costard in Act V, Scene I of William Shakespeare's Love's Labour's Lost. As it appears only once in Shakespeare's works, it is a hapax legomenon in the Shakespeare canon. At 27 letters, it is the longest word in the English language to strictly alternate between consonants and vowels. [1]
The Norton Shakespeare annotates "and keep invention in a noted weed" thus: And keep literary creativity in such familiar clothing. The Oxford English Dictionary's definition of weed is "an article of apparel; a garment", and is consistent with the theme of mending, re-using, etc. ("all my best is dressing old words new"). [8]
Or heart in love with sighs himself doth smother, With my love’s picture then my eye doth feast And to the painted banquet bids my heart; Another time mine eye is my heart’s guest And in his thoughts of love doth share a part: So, either by thy picture or my love, Thyself away art present still with me;
Examples are given from his counseling practice, as well as questions to help determine one's own love languages. [2] [3] According to Chapman's theory, each person has one primary and one secondary love language. This framework is further elaborated in an article 5 Love Languages for Lasting Inner Peace and Relationship Happiness [Zennout [4]].
The 5 love languages describe how people like to receive love. Here are the different types of love languages and how to determine yours, according to experts.
Costard makes many clever puns, and is used as a tool by Shakespeare to explain new words such as remuneration. He is sometimes considered one of the smartest characters in the play due to his wit and wordplay. Costard's name is an archaic term for apple, or metaphorically a man's head. [1] Shakespeare uses the word in this sense in Richard III ...
While Shakespeare's versification maintains the English sonnet form, Shakespeare often rhetorically alludes to the form of Petrarchan sonnets with an octave (two quatrains) followed by a sestet (six lines), between which a "turn" or volta occurs, which signals a change in the tone, mood, or stance of the poem. The first line exemplifies a ...
For example, in line 9, Shakespeare diverts the ictus away from the two strong tonic stresses of "love" and "lov'st" by arranging the line such that the meter implies contrastive accent on the four pronouns surrounding them: × / × / × / × / × / Be it lawful I love thee, as thou lov'st those (142.9)