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It made guitars and amplifiers under different brand names, including Dallas, Shaftesbury, and Rangemaster. The Rangemaster's engineer is unknown. [1] The unit is simple and consists of a grey folded metal casing with an on/off switch, a potentiometer controlling the boost setting, and in- and output jacks. It was designed to sit on top of an ...
Since then, he develops his own pedals, starting with a boost pedal; his most popular effect is a compressor (first built in 2001), selling more than 27,000 copies. [3] According to Guitar World, Keeley Electronics has grown into "one of the world’s top sellers of guitar effects pedals". [4]
The Acoustic Guitar Pedal was released in 1994, designed for clean guitar work. It is basically a compressor with bass and treble controls. It is intended to make an electric guitar sound more like an acoustic guitar. The Acoustic Guitar Pedal was produced by SR&D and Dunlop. The SR&D version can be identified by its grey button.
DOD Electronics, or simply DOD, also known as their brand name DigiTech, is an American manufacturing company that makes guitar effects pedals, as well as active crossover gear. DOD is owned by Cortek, the parent company of Cort Guitars. Their DigiTech Whammy pedal has been called "one of the most significant innovations in pedal tech". [1]
A treble booster is an effects unit used by guitarists to increase the high end of their tonal spectrum. Many units boost the overall volume as well. Many units boost the overall volume as well. Treble boosters were commonly used by guitarists in the 1960s and 1970s.
Boost/volume pedal: When activated, a boost or clean boost pedal amplifies the volume of an instrument by increasing the amplitude of its audio signal. These units are generally used for boosting volume during solos and preventing signal loss in long effects chains.
Electro-Harmonix was founded by rhythm and blues keyboard player Mike Matthews in October 1968 in New York City with $1,000. [3] He took a job as a salesman for IBM in 1967, but shortly afterwards, in partnership with Bill Berko, an audio repairman who claimed to have his own custom circuit for a fuzz pedal, he jobbed construction of the new pedal to a contracting house and began distributing ...
Baby Pink Booster; Volume boost pedal. This is a booster pedal intended to use between a low-level instrument such as electric guitar and an amplifier. It’s intended to place in signal chain after overdrive pedals in order to boost level rather than distortion - hence its gain of 18dB (or 8 times).
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