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On Sept. 3, 2022, on what was intended to be the final date of his exhausting “After Hours Til Dawn” North American tour, the Weeknd confidently took the stage of SoFi Stadium in Inglewood ...
From Hurry Up Tomorrow, then-unreleased songs "Take Me Back to LA" and "São Paulo" could be heard. [2] The event took place from September 5 to November 3, 2024. [1] The song "São Paulo", without known title at the time, was again teased on August 31, through an advert for an NFL Brasil Game in São Paulo.
The Weeknd first performed the song live on September 7, 2024, at his one-night-only concert in Estádio do Morumbi, São Paulo, Brazil. [6] [7] The song was announced on September 9, 2024, as the lead single from his upcoming sixth studio album, Hurry Up Tomorrow, through Apple Inc.'s "It's Glowtime" promotional event promoting the iPhone 16 Pro.
It was released on September 27, 2024, through XO and Republic Records as the second single from the former's upcoming sixth studio album Hurry Up Tomorrow. The song passed 10 million streams on Spotify in less than 24 hours and debuted in the top ten in 15 countries, and peaked at number three on the US Billboard Hot 100.
The Weeknd launched this new chapter in July with a minute-plus-long clip, posted in his Instagram story, that combines a surreal series of dream-like images from the last four years of his ...
Save the date for Friday, Jan. 24, as the Weeknd releases his upcoming album “Hurry Up Tomorrow.” The next day, he will offer the debut live performance of his work with a one-night-only ...
The song was later ranked as the No. 1 Greatest Hot 100 Hit of All Time by Billboard. [17] After Hours peaked atop the albums charts of multiple countries including Australia, Canada, the Netherlands, Sweden, the UK, and the US, [ 6 ] [ 7 ] [ 11 ] and also spawned the US number-one and Canada top-ten singles " Heartless " and " Save Your Tears ".
The Weeknd’s suspense thriller “Hurry Up Tomorrow,” in which he stars alongside Jenna Ortega and Barry Keoghan, will debut in theaters on May 16. Directed by Trey Edward Shults (“Waves ...