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A studio potter is one who is a modern artist or artisan, who either works alone or in a small group, producing unique items of pottery in small quantities, typically with all stages of manufacture carried out by themselves. [1] Studio pottery includes functional wares such as tableware, cookware and non-functional wares such as sculpture ...
In an interview in Art New Zealand, Cowan and Peter's “most significant contribution to modernism” was described as “studio pottery – both through their own pottery, and their contribution to the New Zealand Potter magazine which they helped start in 1957.” [4] Their contribution to ceramics is “significant” as they operated ...
Guy Bleus (born 1950), performance artist, mail art; Christian Boltanski (1944–2021), sculptor, photographer, painter and film maker; Alighiero Boëtti (1940–1994), conceptual artist; Maurizio Bolognini (born 1952), post-conceptual media artist; Henry Bond (born 1966), writer, photographer and visual artist; Christine Borland (born 1965 ...
Art pottery is a related term, used by many potteries from about the 1870s onwards, in Britain and America; it tends to cover larger workshops, where there is a designer supervising the production of skilled workers who may have input into the pieces made. The heyday of British and American art pottery was about 1880 to 1940.
Painting as a fine art means applying paint to a flat surface (as opposed for example to painting a sculpture, or a piece of pottery), typically using several colours. Prehistoric painting that has survived was applied to natural rock surfaces, and wall painting, especially on wet plaster in the fresco technique was a major form until recently.
Elisabeth Condon was born in Los Angeles. She completed her BFA in Painting at Otis Art Institute of Parsons School of Design in 1986, as well as studying at UCSD for 1 year and UCLA for 2 years. She completed her MFA in Painting at the School of the Art Institute of Chicago in 1990 before moving to Brooklyn in 1992. She has taught extensively ...
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