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A Boyfriend for My Wife (Spanish: Un Novio Para Mi Mujer) is a 2008 Argentine romantic comedy film directed by Juan Taratuto and starring Adrián Suar, Valeria Bertuccelli, and Gabriel Goity. [1] [2] It was the highest grossing Argentine film in 2008. [3] In 2009, Warner Bros. bought the rights of the film. [3]
Busco novio para mi mujer is a 2016 Mexican romantic comedy film directed by Enrique Begne and co-written by Begne, Leticia López Margalli, and Gabriel Ripstein based on Pablo Solarz's 2008 Argentine film Un novio para mi mujer.
A remake of A Boyfriend for My Wife 's original script by Pablo Solarz [], the adapted screenplay was penned by Laura Mañá and Pol Cortecans. [6] The film was produced by Arcadia Motion Pictures and Athos Pictures, and it had the participation of Amazon Prime Video, the funding from ICAA, and support from ICEC []. [3]
The cause for the start of the project was the arrival of OpenOffice.org in 2002, which was missing the thesaurus of its parent, StarOffice, due to its licensing.. OpenThesaurus filled that gap by importing possible synonyms from a freely available German/English dictionary and refining and updating these in crowdsourced work through the use of a web ap
Honrarás a los tuyos El precio del cielo Mi esposa se divorcia is a Mexican telenovela produced by Televisa and originally transmitted by Telesistema Mexicano .
A thesaurus (pl.: thesauri or thesauruses), sometimes called a synonym dictionary or dictionary of synonyms, is a reference work which arranges words by their meanings (or in simpler terms, a book where one can find different words with similar meanings to other words), [1] [2] sometimes as a hierarchy of broader and narrower terms, sometimes simply as lists of synonyms and antonyms.
The Oxford English Dictionary (OED) is a subscription service, while Lexico used the Oxford Dictionaries API [18] to offer more modern versions of the Oxford Dictionary of English and New Oxford American Dictionary to users for free.
La Mujer De Mi Hermano ( "My Brother's Wife") could be considered in a category of films that critic Alissa Quart calls 'hyperlink movies', in which multiple stories take place, each affecting the other in ways that characters are unaware of, all the while using radically different aesthetic and cinematic techniques to define the mise en scène of each storyline.