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Backing tracks can be as simple as a single prerecorded instrument, such as a recording of a pipe organ, which is impossible to move onstage, to string section recordings done in the studio, to full rhythm section recordings with bass, guitar, keyboards and drums. Some backing tracks also include backup vocals.
[1] [2] [3] Each local scene had its circle of "A-list" session musicians, such as the Nashville A-Team that played on numerous country and rock hits of the era, the two groups of musicians in Memphis, the Memphis Boys and Booker T. & the M.G.s with the Memphis Horns, the musicians who backed Stax/Volt recordings, and the Funk Brothers in ...
A solo steel drum player performs with the accompaniment of pre-recorded backing tracks that are being played back by the laptop on the left of the photo.. A backing track is an audio recording on audiotape, CD or a digital recording medium or a MIDI recording of synthesized instruments, sometimes of purely rhythmic accompaniment, often of a rhythm section or other accompaniment parts that ...
Vocal jazz or jazz singing is a genre within jazz music where the voice is used as an instrument. Vocal jazz began in the early twentieth century. Jazz music has its roots in blues and ragtime and can also traced back to the New Orleans jazz tradition . [ 1 ]
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Ella Fitzgerald recorded a wordless vocal version with Ellington on her albums Ella Fitzgerald Sings the Duke Ellington Songbook (1957) and Ella and Duke at the Cote D'Azur (1967), and it has also been recorded by other vocalists such as Sarah Vaughan (1979), Cassandra Wilson (1991), Tina May (1995), [1] and Dianne Reeves with Daniel Barenboim ...
A backing vocalist is a singer who provides vocal harmony with the lead vocalist or other backing vocalists. A backing vocalist may also sing alone as a lead-in to the main vocalist's entry or to sing a counter-melody. Backing vocalists are used in a broad range of popular music, traditional music, and world music styles. Solo artists may ...
It is the most recorded jazz standard of all time. [2] In the 1930s, swing jazz emerged as a dominant form in American music. Duke Ellington and his band members composed numerous swing era hits that have become standards: "It Don't Mean a Thing (If It Ain't Got That Swing)" (1932), "Sophisticated Lady" (1933) and "Caravan" (1936), among others.
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