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The Toreador Song, also known as the Toreador March or March of the Toreadors, is the popular name for the aria " Votre toast, je peux vous le rendre" ("I return your toast to you"), from the French opera Carmen, composed by Georges Bizet to a libretto by Henri Meilhac and Ludovic Halévy.
"The Bullfighter Dies" is a song by English singer Morrissey. ... Spin magazine commented on the song, stating that "it's a brief but stirring two minutes, packed ...
Torero or bullfighter; The Toreador, a musical comedy; The "Toreador Song" from Georges Bizet's opera Carmen; The Daily Toreador, the student newspaper of Texas Tech University; The Hallucinogenic Toreador is the name of a Salvador Dalí painting "Toreador I" and "Toreador II", songs made by Apocalyptica
Carmen's habanera from act 1, and the toreador's song "Votre toast" from act 2, are among the most popular and best-known of all operatic arias, [70] the latter "a splendid piece of swagger" according to Newman, "against which the voices and the eyebrows of purists have long been raised in vain". [71]
The George A. Romero film Land of the Dead featured a character named Manolete, who was named after the bullfighter. Crooked Fingers' 2005 album Dignity and Shame is loosely based in part on the life of Manolete. "Death of Manolete" is a 10,000 Maniacs song from the 1983 album Secrets of the I Ching.
The song is available in two languages: Spanish [5] and French. [6] El Cordobés' story was also the basis for the musical Matador (1987) by Mike Leander and Eddie Seago. Poet Mike O'Connor included "Canción del Cordobés", about the matador's breakout performances in Mexico City in 1964, in his poetry volume When the Tiger Weeps, (2005).
The Bullfighters is a feature film starring comedy duo Laurel and Hardy, the sixth and final film the duo made under 20th Century Fox as well as the last released in the United States. [ 1 ] Plot
Olé is a Spanish interjection used to cheer on or praise a performance commonly used in bullfighting and flamenco dance. [2] In flamenco music and dance, shouts of "olé" often accompany the dancer during and at the end of the performance, and a singer in cante jondo may emphasize the word "olé" with melismatic turns.