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The records were made of vinyl, however, and some of the earlier vintage 78-rpm jukeboxes and record players (the ones that were pre-war) were designed with heavy tone arms to play the hard slate-impregnated shellac records of their time. These vinyl Rhino 78s were softer and would be destroyed by old juke boxes and old record players, but play ...
Oct. 13—Richard Hinds settles the tonearm gently into the grooves of the 78 record, and the music of Jelly Roll Morton and the Red Hot Peppers rises from the rotating disc and buzzes the room.
The Great 78 Project is an initiative developed by the Internet Archive which aims to digitize 250,000 78 rpm singles (500,000 songs) from the period between 1880 and 1960, donated by various collectors and institutions.
The 78 RPM speed was used for some children's records of all sizes well into the 1960s, as nearly all record players still included it and it allowed an old disused 78-only player to be put to work as a toy, expendable if it got damaged by rough handling. [citation needed]
The following is an attempt to list some of the most valuable records. Data is sourced from Record Collector , eBay , Popsike, the Jerry Osborne Record Price Guides, and other sources. Wu-Tang Clan 's Once Upon a Time in Shaolin CD (of which only one copy was produced) was sold through Paddle8 on November 24, 2015, for $2,000,000, according to ...
The Discography of American Historical Recordings (DAHR) is a database catalog of master recordings made by American record companies during the 78rpm era. [1] The 78rpm era was the time period in which any flat disc records were being played at a speed of 78 revolutions per minute. [2]
Over his lifetime, Bussard amassed a collection of between 15,000 and 25,000 records, primarily of American folk, gospel, jazz, and blues from the 1920s and 1930s. [1] From 1956 until 1970, Bussard ran the last 78 rpm record label, Fonotone, which was dedicated to the release of new recordings of old-time music.
However, some very early (c. 1928–1931) radio programs were on sets of 12-inch or even 10-inch (25 cm) 78 rpm discs, and some later (circa 1960–1990) syndicated radio programs were distributed on 12-inch 33 + 1 ⁄ 3 rpm microgroove vinyl discs visually indistinguishable from ordinary records except by their label information.
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