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The music video for "Knock Knock" was directed by Naive Creative Production. Stop-motion effect was used in some of the scenes in the video. It earned almost 10 million views on YouTube within 24 hours since its release and set a new record for the fastest K-pop group music video to reach 30 million view count in only 152 hours.
Dance Vault Remixes: Get It Off/Knock Knock- Remix EP is the first EP by American R&B singer Monica, released in 2004 (see 2004 in music). [1] It features remix-versions of the 2003 songs : "Knock Knock" and song "Get It Off" both from After the Storm in the U.S. Both songs were released as a double A-side and B-side single. [2]
Knock Knock is a 2015 thriller film [a] directed by Eli Roth, [6] who also co-wrote the script with Guillermo Amoedo and Nicolás López. The film stars Keanu Reeves, Lorenza Izzo and Ana de Armas. The film was released on October 9, 2015, by Lionsgate Premiere.
The AOL.com video experience serves up the best video content from AOL and around the web, curating informative and entertaining snackable videos.
On February 20, 2017, Twice had a live broadcast on Naver V Live at 10:00 KST to celebrate their comeback with fans. The group talked about the album, the lead single "Knock Knock" and its music video, as well as their first solo concert which was held on February 17–19 and Asian tour. They also performed the full choreography of "Knock Knock ...
These funny knock knock jokes are perfect for kids, teens, adults and anyone else looking for a laugh. Find hilarious knee-slappers for the whole family. 150 knock-knock jokes that are a real hoot
"TT" is a song recorded by South Korean girl group Twice. The song was released by JYP Entertainment on October 24, 2016, as the lead single from their third extended play Twicecoaster: Lane 1. It was written and composed by Sam Lewis and Black Eyed Pilseung respectively. The title "TT" refers to an emoticon used to express crying or sadness. [2]
"Knock Knock" received generally positive reviews from music critics. AllMusic editor Andy Kellman felt that the song, along with Elliott's other contributions on the album, provides "a bulk of the most exciting material, with just the right amount of swagger added to the singer's more wide-eyed personality of the '90s."