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"Castles" is a song by English singer-songwriter Freya Ridings. It was released as a single on 30 May 2019, through record labels Good Soldier Songs and Capitol Records , as the fifth single from her debut studio album, Freya Ridings .
It should only contain pages that are Crystal Castles songs or lists of Crystal Castles songs, as well as subcategories containing those things (themselves set categories). Topics about Crystal Castles songs in general should be placed in relevant topic categories .
"Castles Made of Sand" is a song written by Jimi Hendrix and recorded by the Jimi Hendrix Experience for their 1967 second album, Axis: Bold as Love. Produced by manager Chas Chandler , the song is a biographical story about Hendrix's childhood, and was recorded towards the end of the production cycle for Axis: Bold as Love .
"Castles in the Sand" is a song by Canadian pop rock group the Philosopher Kings. Released in 2005 as the lead single from their fourth studio album, Castles, it reached the top 10 on both the adult contemporary and hot adult contemporary charts in Canada. It was the first single released by the group in over five years since their 2000 single ...
This article is within the scope of WikiProject Songs, a collaborative effort to improve the coverage of songs on Wikipedia. If you would like to participate, please visit the project page, where you can join the discussion and see a list of open tasks. Songs Wikipedia:WikiProject Songs Template:WikiProject Songs song
Amnesty (I) (also titled Amnesty I [10] and sometimes referred to as Amnesty) is the fourth and final studio album by Canadian electronic music duo Crystal Castles, released on August 19, 2016, by Fiction Records and Casablanca Records. [11]
"Castles in the Sky" is a song by Belgian music project Ian Van Dahl from their debut album, Ace (2002). The vocalist is Belgian singer Marsha, who also co-wrote the song. [ 1 ] The single was released in Europe in 2000 and the United Kingdom in 1999.
Pitchfork 's Ryan Dombal described Smith's vocals as "loud and clear", making it one of Crystal Castles' catchiest works. [5] Larry Fitzmaurice wrote to the same website that the song is "massive", evoking chills, and that, while the song is a cover, its "high-definition angst" felt unique to the band. [13]