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A sestet is six lines of poetry forming a stanza or complete poem. A sestet is also the name given to the second division of an Italian sonnet (as opposed to an English or Spenserian Sonnet), which must consist of an octave, of eight lines, succeeded by a sestet, of six lines.
A sestain is a six-line poem or repetitive unit of a poem of this format , comparable to quatrain (Ruba'i in Persian and Arabic) which is a four-line poem or a unit of a poem. There are many types of sestain with different rhyme schemes , for example AABBCC, ABABCC, AABCCB or AAABAB. [ 1 ]
A "double sestina" is the name given to either: two sets of six six-line stanzas, with a three-line envoy (for a total of 75 lines), [16] or twelve twelve-line stanzas, with a six-line envoy (for a total of 150 lines).
The Burns stanza is a verse form named after the Scottish poet Robert Burns, who used it in some fifty poems. [1] It was not, however, invented by Burns, and prior to his use of it was known as the standard Habbie, after the piper Habbie Simpson (1550–1620). It is also sometimes known as the Scottish stanza or six-line stave.
The Shadorma is a poetic form consisting of a six-line stanza (or sestet) that originated from Spain. [1] Each stanza has a syllable count of three syllables in the first line, five syllables in the second line, three syllables in the third and fourth lines, seven syllables in the fifth line, and five syllables in the sixth line (3/5/3/3/7/5) for a total of 26 syllables. [2]
This is a list of English poems over 1000 lines. This list includes poems that are generally identified as part of the long poem genre, being considerable in length, and with that length enhancing the poems' meaning or thematic weight. This alphabetical list is incomplete, as the label of long poem is selectively and inconsistently applied in ...
This form was used in the earliest English sonnets by Wyatt and others. For background on the pre-English sonnet, see Robert Canary's web page, The Continental Origins of the Sonnet. [3] In a strict Petrarchan sonnet, the sestet does not end with a couplet, since this would tend to divide the sestet into a quatrain and a couplet. However, in ...
The name of the stanza might derive from this royal use, though it has also been argued that the stanza name comes from the use of poetry for addresses to royalty in festivals and ceremonies. [ 4 ] [ 5 ] [ 2 ] English and Scottish poets were greatly influenced by Chaucer in the century after his death and many made use of the form in at least ...