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Design for a hand woodblock printed textile, showing the complexity of the blocks used to make repeating patterns in the later 19th century. Tulip and Willow by William Morris, 1873. Woodblock printing on textiles is the process of printing patterns on fabrics , typically linen , cotton , or silk , by means of carved wooden blocks.
Strips of silk ribbons are cut and appliquéd in layers, creating designs defined by negative space. The colors and designs might reflect the clan or gender of the wearer. Powwow and other dance regalia from these tribes often feature ribbonwork. These tribes are also known for their fingerwoven sashes.
A Roman mosaic on a wall in the House of Neptune and Amphitrite, Herculaneum, Italy, 1st century AD. A Roman mosaic is a mosaic made during the Roman period, throughout the Roman Republic and later Empire. Mosaics were used in a variety of private and public buildings, [1] on both floors and walls, though they competed with cheaper frescos for ...
Goldwork is always surface embroidery and free embroidery; the vast majority is a form of laid work or couching; that is, the gold threads are held onto the surface of the fabric by a second thread, usually of fine silk. The ends of the thread, depending on type, are simply cut off, or are pulled through to the back of the embroidery and ...
Basilica of San Vitale, Ravenna, 548. Italy has the richest concentration of Late Antique and medieval mosaics in the world. Although the art style is especially associated with Byzantine art and many Italian mosaics were probably made by imported Greek-speaking artists and craftsmen, there are surprisingly few significant mosaics remaining in the core Byzantine territories.
Most weavers use a natural warp thread, such as wool, linen, or cotton. The weft threads are usually wool or cotton but may include silk , gold , silver , or other alternatives. Tapestry Room from Croome Court , moved to the Metropolitan Museum of Art , hung with made to measure 18th-century Gobelins tapestries , also covering the chairs. 1763-71
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The xenia motif in Roman mosaic is a still life motif consisting of a grouping of various items, mostly edible, representing a generous offering (a xenia) from a wealthy host to guests. The items are often spread across different compartments in floor mosaic schemes. No doubt there were once paintings, but these have been lost.
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