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Pusić’s solemn supernatural fable opens with a montage of such cases, each of whom confronts Death in his or her own way: One pleads to be spared; another spits in the macaw’s face.
Mako: The Jaws of Death is a 1976 thriller film directed by William Grefe. [1] [2] The film is about a brooding loner who accidentally learns that he has a telepathic and emotional connection with sharks. He eventually rebukes society and sets out to protect sharks from people. The film was set and shot on location in Key West, Florida.
The movie also extends his term as villain, as he is around to oppose the Maccabees during the whole movie; in history, he died before Judas did and was replaced by other Syrian kings and commanders. The film also gives romance stories and women a larger role than the rather patriarchal book of 1 Maccabees , which generally kept women in the ...
The Real Macaw is a 1998 Australian adventure film written by Bruce Hancock and Matthew Perry and directed by Mario Andreacchio.It was produced and distributed by Becker Entertainment in association with the Australian Film Finance Corporation, The South Australian Film Corporation, The New South Wales Film and Television Office and The Queensland Government through Film Queensland, and filmed ...
The name of Azkaban, the main wizarding prison in the Harry Potter world, is a mixture of the name of Alkatraz, an island prison in the real world, and Abaddon. [2] The fallen angel/demon Apollyon is the main antagonist of the Brazilian novel "A Batalha do Apocalipse" by Eduardo Spohr.
The few remaining birds were scattered in private collections around the world. For the Spix's macaws, immortalized in the popular animated “Rio” films, the road back from the edge of ...
In another attempt to get closer to him, a disguised Nigel wins a talent show to become a performer for a Carnival show that Rafael, Pedro, Nico and Carla are hosting. When Blu tries to pick a Brazilian nut for Jewel, he accidentally puts it in the territory of the Spix macaw's enemies, the scarlet macaws, led by the hostile Felipe. Blu ...
Screen Hub wrote "although McKenna employs expressive aesthetic choices to partially temper the familiarity of his narrative — and to demonstrate his stylistic flair, perhaps most notably in Is This The Real World‘s book-ending shots — it’s the film’s layered performances that help it to carve out its own niche." [5]