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Its popularity mirrored the frock coat, which replaced the tailcoat as day wear in the 1850s. The frock coat, often attributed to the result of the fashion influence of the Regency dandy George Bryan 'Beau' Brummell , was almost universally black, and was worn with waistcoat and trousers, which could be of any colour.
The Chesterfield coat, a long overcoat with very little waist suppression; being the equivalent of the "sack suit" for clothes, it came to be the most important overcoat of the next half-century. The Covert coat , a classically brown/fawn, straight cut, single breasted country coat that became accepted for wear in the city with a suit as well ...
A frock coat is a formal men's coat characterised by a knee-length skirt cut all around the base just above the knee, popular during the Victorian and Edwardian periods (1830s–1910s). It is a fitted, long-sleeved coat with a centre vent at the back and some features unusual in post-Victorian dress.
Morning dress consists of: a morning coat (the morning cut of tailcoat), now always single breasted with link closure (as on some dinner jackets) or one button (or very rarely two) and with pointed lapels, may include silk piping on the edges of the coat and lapels (and cuffs on older models with turnup coat sleeves).
The Chesterfield coat, with its heavy waist suppression using a waist seam, gradually replaced the over-frock coat during the second half of the 19th century as a choice for a formal overcoat, and survived as a coat of choice over the progression from frock coat everyday wear to the introduction of the lounge suit, but remained principally associated with formal morning dress and white tie.
This page was last edited on 3 February 2025, at 16:20 (UTC).; Text is available under the Creative Commons Attribution-ShareAlike 4.0 License; additional terms may apply.
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