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Plate used to print ukiyo-e. Ukiyo-e is a Japanese printmaking technique which flourished in the 17th through 19th centuries. Its artists produced woodblock prints and paintings of subjects including female beauties; kabuki actors and sumo wrestlers; scenes from history and folk tales; travel scenes and landscapes; Japanese flora and fauna; and erotica.
Marine art or maritime art is a form of figurative art (that is, painting, drawing, printmaking and sculpture) that portrays or draws its main inspiration from the sea. Maritime painting is a genre that depicts ships and the sea—a genre particularly strong from the 17th to 19th centuries. [ 1 ]
Art collector Stephen Carlton Clark, heir to the Singer sewing machine company through his grandfather Edward Cabot Clark, purchased the painting in November 1951 from Rehn Gallery in New York, just shortly after Hopper had finished it and before it had ever been seen or exhibited. [16] By this time, Clark already owned six other paintings by ...
One of his best-known paintings from this period is August Blue (1893–94; Tate, London), a study of four mostly nude youths bathing from a boat. The Looe artist, Lindsay Symington (1872–1942), modelled for the blonde boy holding onto the boat in the water; though not a regular model, Symington was a good friend of Tuke, the latter often ...
NC Wesleyan University is showing 75 of the PBS “Joy of Painting” series star’s work at the Dunn Center through early January
Both works are more sketch-like than her other paintings, revealing that they were created directly outdoors. The Hawaii seascapes were her first in almost two decades since her paintings in Maine (Blue Sea with Rocks, 1922; Blue Wave Maine, 1927). [59] O'Keffee painted for three days in late March at the Iao Valley, producing five paintings.
Wanderer above the Sea of Fog [a] is a painting by German Romanticist artist Caspar David Friedrich made in 1818. [2] It depicts a man standing upon a rocky precipice with his back to the viewer; he is gazing out on a landscape covered in a thick sea of fog through which other ridges, trees, and mountains pierce, which stretches out into the distance indefinitely.
Blue Point Long Island, 1888. As a lover of maritime life and the sea Bricher purchased a home in the 1890s close to the sea in the New Dorp section of Staten Island, where he had views of Lower New York Bay, the Atlantic Ocean, and Raritan Bay. He lived and painted at the shore in New Dorp until his death there, aged 71. [4]
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