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Forward step with one leg crossing in front of the other leg. The movement begins with leg projection and turning of a foot towards the direction of the pivot, transfer of weight to active foot, pivot. This sequence is part of the forward ocho. Backward cross step: Back step with one leg crossing in the back of the other leg. Side step transition
Gustavo Naveira and Giselle Anne. Milonguero-style tango, also known as estilo milonguero (in Buenos Aires, known by name Estilo del centro because it originates from downtown milongas where dance floors were crowded) or apilado (piled up, stacked), is a close-embrace style of social tango dancing in which the focus is inward and the leg and arm movements are kept small. [4]
Tango is a partner dance and social dance that originated in the 1880s along the Río de la Plata, the natural border between Argentina and Uruguay.The tango was born in the impoverished port areas of these countries from a combination of Argentine Milonga, Spanish-Cuban Habanera, and Uruguayan Candombe celebrations. [1]
Early bandoneón, constructed ca. 1905. Even though present forms of tango developed in Argentina and Uruguay from the mid-19th century, there are records of 19th and early 20th-century tango styles in Cuba and Spain, [3] while there is a flamenco tango dance that may share a common ancestor in a minuet-style European dance. [4]
The Rough Guide to Tango is a world music compilation album originally released in 1999. Part of the World Music Network Rough Guides series, [1] the album presents the tango music of Argentina with an eye toward the history of the genre, featuring 78 rpm recordings to tracks of the modern day. [2]
A couple demonstrating a Castle Walk dance step. From Walker, C. (1914) The Modern Dances - How to Dance Them. Castle Walk is a dance originated and made famous by Vernon and Irene Castle. The moniker was coined from the Castle's signature dance step styling, and their touring stage show of 1913 lead with this as their signature. [1]
The term was used from the 1870s to mark a man who spent much of his time dancing tango of any style. [1] Since the early 20th century the term referred to a man immersed in the tango culture specific to Buenos Aires. A milonguero frequented dance halls, dancing to the music of tango, milonga and vals. Such a man was "raised and groomed on ...
Tango is described the "level" or "flat" dance, and its basic technique specifically eliminates rises/falls in the overall motion, with the exception of certain advanced figures and styles. The expression "rises and falls of the body" is a rather vague one, and in attempts to be more precise some texts refer to center of gravity , rather than body.