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The English expression the hoi polloi (/ ˌ h ɔɪ p ə ˈ l ɔɪ /; from Ancient Greek οἱ πολλοί (hoi polloí) 'the many') was borrowed from Ancient Greek, where it means "the many" or, in the strictest sense, "the people". In English, it has been given a negative connotation to signify the common people. [1]
[1] If a player goes to the castle, the player has three options: exhibit the items collected thus far, which will enable the player to move around the board further towards the end; send a thief to steal something; or send the detective to arrest any thief who is present.
Hoity Toity (Russian: Хойти-Тойти) is a 1929 Soviet science fiction novella written by Alexander Belyayev.The novel, part of the Professor Wagner's Inventions series, was first published in Vsemirny Sledopyt magazine between January and February 1930.
The declarative sentence is the most common kind of sentence in language, in most situations, and in a way can be considered the default function of a sentence. What this means essentially is that when a language modifies a sentence in order to form a question or give a command, the base form will always be the declarative.
Various sentences using the syllables mā, má, mǎ, mà, and ma are often used to illustrate the importance of tones to foreign learners. One example: Chinese: 妈妈骑马马慢妈妈骂马; pinyin: māma qí mǎ, mǎ màn, māma mà mǎ; lit. 'Mother is riding a horse... the horse is slow... mother scolds the horse'. [37]
The visible section or "overt" is the syntax that still remains in a sentence word. [15] Within sentence word syntax there are 6 different clause-types: Declarative (making a declaration), exclamative (making an exclamation), vocative (relating to a noun), imperative (a command), locative (relating to a place), and interrogative (asking a ...
At present the very first sentence is: The title of an article should generally use the version of the name of the subject which is most common in the English language, as you would find it in reliable sources (for example other encyclopedias and reference works).
Iser describes the reader's maneuvers in the negotiation of a text in the following way: "We look forward, we look back, we decide, we change our decisions, we form expectations, we are shocked by their nonfulfillment, we question, we muse, we accept, we reject; this is the dynamic process of recreation." [19]