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Lucas Cranach the Elder (German: Lucas Cranach der Ältere [ˈluːkas ˈkʁaːnax deːɐ̯ ˈʔɛltəʁə]; c. 1472 – 16 October 1553) was a German Renaissance painter and printmaker in woodcut and engraving.
Unusually, Lucas Cranach signed and dated the painting in Latin: LUCAS CHRONUS/FACIEBAT/ANNO 1509, visible in the notice hanging on one of the central columns. It is suggested that the choice and treatment of the subject shows that he knew the St Anne altarpiece by Quinten Metsys while still in the master's Antwerp studio.
Lucas Cranach the Elder, Law and Gospel, Herzogliches Museum, Gotha, Germany. 82.2 cm × 118 cm (32.4 in × 46.5 in). Law and Gospel (or Law and Grace) is one of a number of thematically linked, allegorical panel paintings by Lucas Cranach the Elder from about 1529.
Wittenberg Cranach Altarpiece (or Reformation Altarpiece) is one of the major Lutheran winged altarpieces created by Lucas Cranach the Elder and his son Lucas Cranach the Younger for the Evangelical Lutheran City and Parish Church of St. Mary's in Wittenberg, Germany.
The museum had bought the painting, attributed to German Renaissance master Lucas Cranach the Elder and Workshop, from a New York g Pennsylvania museum to sell painting in settlement with heirs of ...
Since the Renaissance, the suicide of Lucretia has been an enduring subject for visual artists, including Titian, Rembrandt, Dürer, Raphael, Botticelli, Jörg Breu the Elder, Johannes Moreelse, Artemisia Gentileschi, Damià Campeny, Eduardo Rosales, Lucas Cranach the Elder, and others. Most commonly, either the moment of the rape is shown, or ...
Joseph is standing over them holding a candle, but the main light source is coming from the crib. The Child lies on a bed of hay that matches his Mother's halo, surrounded by winged cherubs. In the upper left of the frame, a vista to a moonlit landscape reveals on closer inspection to be a scene of the Annunciation to the shepherds with Gabriel ...
After the bombing of Schneeberg on April 19, 1945, the altarpiece was rescued from the already burning church by many volunteers. Until 1969, some of the paintings were hung in the Trinity Church. After an extensive restoration, the double-opening winged altar can now be viewed in the form intended by Cranach. [3]
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