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Funeral Blues", or "Stop all the clocks", is a poem by W. H. Auden which first appeared in the 1936 play The Ascent of F6. Auden substantially rewrote the poem several years later as a cabaret song for the singer Hedli Anderson .
Music journalist Richie Unterberger commented on the adaptability of blues: "From its inception, the blues has always responded to developments in popular music as a whole: the use of guitar and piano in American folk and gospel, the percussive rhythms of jazz, the lyrics of Tin Pan Alley, and the widespread use of amplification and electric ...
The Piedmont blues was named after the Piedmont plateau region, on the East Coast of the United States from about Richmond, Virginia to Atlanta, Georgia.Piedmont blues musicians come from this area, as well as Maryland, Delaware, West Virginia, Pennsylvania and northern Florida, western South Carolina, central North Carolina, eastern Tennessee, Kentucky, and Alabama – later the Northeastern ...
Ellis CeDell Davis (June 9, 1926 – September 27, 2017) [1] was an American blues guitarist and singer. He was most notable for his distinctive style of guitar playing. Davis played guitar using a butter knife in his fretting hand in a manner similar to slide guitar, resulting in what The New York Times critic Robert Palmer called "a welter of metal-stress harmonic transients and a singular ...
Maybelle also learned a blues fingerpicking technique from Lesley Riddle, an African-American guitarist who met A. P. Carter in December 1928 and who used to frequent the Carter family household. [6] [7] [8] Carter can be heard playing in this style on a number of Carter Family recordings. She also played slide guitar and, later, with a flat ...
Robert Timothy Wilkins (Reverend Robert Wilkins, January 16, 1896 – May 26, 1987) [1] was an American country blues guitarist and vocalist, [2] of African-American and Cherokee descent. [3] His distinction was his versatility: he could play ragtime, blues, minstrel songs, and gospel music with equal facility. [3]
"Death Letter", also known as "Death Letter Blues", is the signature song of the Delta blues musician Son House. It is structured upon House's earlier recording "My Black Mama, Part 2" from 1930. House's 1965 performance was on a metal-bodied National resonator guitar using a copper slide. One commentator noted that it is "one of the most ...
Fahey in studio with Recording King guitar, c. 1970 While Fahey lived in Berkeley, Takoma Records was reborn through a collaboration with Maryland friend ED Denson.Fahey decided to track down blues legend Bukka White by sending a postcard to Aberdeen, Mississippi; White had sung that Aberdeen was his hometown, and Mississippi John Hurt had been rediscovered using a similar method.