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Irezumi (入れ墨, lit. ' inserting ink ') (also spelled 入墨 or sometimes 刺青) is the Japanese word for tattoo, and is used in English to refer to a distinctive style of Japanese tattooing, though it is also used as a blanket term to describe a number of tattoo styles originating in Japan, including tattooing traditions from both the Ainu people and the Ryukyuan Kingdom.
By the early 21st century, tattoos were stigmatized in Japanese culture, and many Japanese associated them with the Yakuza. [4] However, there was a movement to revive the practice as a symbol of female empowerment and of their Ryukyuan cultural heritage. [ 4 ]
Horiyasu executes only large-scale pieces. [12] [11] His style is described as bold and striking.[20]He is mainly focused on traditional tattooing themes such as Buddhist deities, dragons, tigers, samurai warriors, historical protective personalities, water and floral motifs (such as goldfish and peonies or carps), working mostly for male clients.
A Japanese chimera with the head of a monkey, the body of a raccoon dog, the legs of a tiger, and a snake-headed tail. It plagued the Emperor with nightmares in the Heike Monogatari. Nukekubi A vicious humanlike monster whose head detaches from its body, often confused with the much more peaceful rokurokubi, whose neck merely extends indefinitely.
The Japanese word irezumi means "insertion of ink" and can mean tattoos using tebori, the traditional Japanese hand method, a Western-style machine or any method of tattooing using insertion of ink. The most common word used for traditional Japanese tattoo designs is horimono. [8]
"Nue" (鵼) from the Konjaku Gazu Zoku Hyakki by Toriyama Sekien. In the Tale of Heike, it is described as a Japanese Chimera having the head of a monkey, the limbs of a tiger, the body of a Japanese raccoon dog, and the front half of a snake for a tail.
16. Lion and Lamb. Often, a lion and lamb tattoo may draw from religious connotations. It can symbolize the juxtaposition of strength and gentleness, unity, or peaceful coexistence.
Tennin are mentioned in Buddhist sutras, [citation needed] and these descriptions form the basis for depictions of the beings in Japanese art, sculpture, and theater.They are usually pictured as unnaturally beautiful women dressed in ornate, colourful kimono (traditionally in five colours), exquisite jewelry, and stole-like, feathered, flowing scarves--called both Chányī/Tenne (纏衣, lit ...
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