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The Cambridge Companions to Music form a book series published by Cambridge University Press. Each book is a collection of essays on the topic commissioned by the publisher. [1] The first was published in 1993, the Cambridge Companion to the Violin. Since then numerous volumes have been published nearly every year, covering a variety of ...
The viola is a larger version of the violin, and has on average a total body length of 27 + 1 ⁄ 4 inches (69.2 cm), with strings tuned a fifth lower than a violin (with a length of about 23 + 3 ⁄ 8 inches (59.4 cm)). The viola's larger size is not proportionally great enough to correspond to the strings being pitched as they are, which ...
Harvey Samuel Whistler Jr. was born September 7, 1907, in Fresno, California, [4] to hotel owners, Harvey Samuel and Sallie Byrn Whistler. [5] His mother, a classically trained pianist, insisted that music be part of Harvey Jr.’s education and oversaw his earliest training on piano.
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The abbreviations col 8, coll' 8, and c. 8 va stand for coll'ottava, meaning "with the octave", i.e. to play the notes in the passage together with the notes in the notated octaves. Any of these directions can be cancelled with the word loco , but often a dashed line or bracket indicates the extent of the music affected.
commissioned by Ensemble Robot and Boston Museum of Science, premiered January 25, 2005 by Evan Ziporyn and Todd Reynolds. Thread (2005) 25' – clarinet, alto and bass flute, violin, cello; commissioned and premiered by Dinosaur Annex, Cambridge, MA June 2005. No Return (2002) 30' – 4 movements for violin, clarinet, and sounds of the Salmon ...
Manuscript of the first movement of BWV 1019, third version, copied by Johann Christoph Altnickol. The six sonatas for violin and obbligato harpsichord BWV 1014–1019 by Johann Sebastian Bach are works in trio sonata form, with the two upper parts in the harpsichord and violin over a bass line supplied by the harpsichord and an optional viola da gamba.
[1] [2] Overtones can be isolated "by lightly touching the string with the finger instead of pressing it down" against the fingerboard (without stopping). [2] For some instruments this is a fundamental technique, such as the Chinese guqin , where it is known as fan yin ( 泛音 , lit. "floating sound"), and the Vietnamese đàn bầu .
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