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The song was recorded during the first Astral Weeks recording session at Century Sound Studios in New York City on 25 September 1968 with Lewis Merenstein as producer.. Van Morrison remarked on this song: "'Beside You' is the kind of song that you'd sing to a kid or somebody you love.
"Beside You" is a song by English singer-songwriter James Blunt. It was released by Atlantic Records UK on 2 August 2023 as the lead single from the singer's seventh studio album, Who We Used to Be. [1] The song loosely interpolates "Alla Luce Del Giorno" by Italian composer Ennio Morricone. [2]
Beside You", the second song on the album, has been described as "expressionistic poetry and a scattershot collection of images and scenarios". It begins with the classical guitar of Jay Berliner and Morrison's voice circling each other. [50] Morrison described it as "the kind of song that you'd sing to a kid or somebody that you love.
"Beside You" (New York Rock and Roll Ensemble song), 1970 "Beside You", song by 5 Seconds of Summer "Beside You", song by Ben Mills from Picture of You (album)
"Beside You" is a song written by Michael Kamen and Mark Snow and released on New York Rock & Roll Ensemble's fourth album Roll Over in 1971. [1]When Kamen was asked to compose a soundtrack for Vincent Ward's 1998 film What Dreams May Come on an accelerated time scale after the original score was rejected, he adapted "Beside You", and used it as the basis for the score. [1]
"Right Beside You" is a song by American singer-songwriter Sophie B. Hawkins, released in July 1994 by Columbia as the first single from the singer's second album, Whaler (1994). The song reached number 56 on the US Billboard Hot 100 and number seven on the Canadian RPM 100 Hit Tracks chart.
"Always Beside You" is a song by Australian-New Zealand band Coterie sung in collaboration with New Zealand band Six60. It was released as a single in December 2022 on the same date as their debut album Coterie .
"Let Me Sleep Beside You" is a song written and recorded by the English singer-songwriter David Bowie. It was recorded on 1 September 1967 at Advision Studios in London and marked the beginning of Bowie's working relationship with producer Tony Visconti, which would last for the rest of Bowie's career.