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A vocal warm-up is a series of exercises meant to prepare the voice for singing, acting, or other use. Vocal warm-ups are essential exercises for singers to enhance vocal performance and reduce the sense of effort required for singing. Research demonstrates that engaging in vocal warm-ups can temporarily elevate vocal effort, which normalizes ...
The system was established in 1988 [3] by American singing voice specialist Jo Estill, [4] who had been researching in this field since 1979. [5] [6] Estill's research led to a series of vocal manoeuvres to develop specific control over individual muscle groups within the vocal mechanism.
Vocal exercises have several purposes, including [23] warming up the voice; extending the vocal range; "lining up" the voice horizontally and vertically; and acquiring vocal techniques such as legato, staccato, control of dynamics, rapid figurations, learning to sing wide intervals comfortably, singing trills, singing melismas and correcting ...
There are several purposes for vocal exercises, including: [1] Warming up the voice; Extending the vocal range "Lining up" the voice horizontally and vertically; Acquiring vocal techniques such as legato, staccato, control of dynamics, rapid figurations, learning to comfortably sing wide intervals, and correcting vocal faults.
For example, a female singer may have a vocal range that encompasses the low notes of a mezzo-soprano and the high notes of a soprano. A voice teacher would therefore look to see whether the singer was more comfortable singing higher, or lower. If she were more comfortable singing higher, then the teacher would probably classify her as a soprano.
David Blair McClosky (1902–1988) was a classical baritone, voice teacher, and vocal therapist, and author of two books on vocal technique. [1] His academic positions included Syracuse University, New England Conservatory, Boston University and Boston Conservatory, and his voice clients included President John F. Kennedy, President Lyndon B. Johnson, Gov. Michael S. Dukakis, sportscaster Curt ...
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Passaggio (Italian pronunciation: [pasˈsaddʒo]) is a term used in classical singing to describe the transition area between the vocal registers.The passaggi (plural) of the voice lie between the different vocal registers, such as the chest voice, where any singer can produce a powerful sound, the middle voice, and the head voice, where a penetrating sound is accessible, but usually only ...
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