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Native American jewelry refers to items of personal adornment, whether for personal use, sale or as art; examples of which include necklaces, earrings, bracelets, rings and pins, as well as ketohs, wampum, and labrets, made by one of the Indigenous peoples of the United States. Native American jewelry normally reflects the cultural diversity ...
Although women wore jewellery the most, some men in the Indus Valley wore beads. Small beads were often crafted to be placed in men and women's hair. The beads were about one millimetre long. [citation needed] A female skeleton (presently on display at the National Museum, New Delhi, India) wears a carlinean bangle (bracelet) on her left hand.
Navajo rugs are woven by Navajo women today from Navajo-Churro sheep or commercial wool. Designs can be pictorial or abstract, based on traditional Navajo, Spanish, Oriental, or Persian designs. 20th-century Navajo weavers include Clara Sherman and Hosteen Klah , who co-founded the Wheelwright Museum of the American Indian .
She uses a loom for beaded bracelets. Her larger pictorial work involved beads stitched onto brain-tanned deer hide, which she often mounts onto wood or other structures. For her Best of Show piece in the 1999 Santa Fe Indian Market , she beaded a parade scene onto hide stretched over an antique umbrella frame.
Modern beaded flowers, yellow made in the French beading technique and pink in the Victorian beading technique. Today, beadwork is commonly practiced by jewelers, hobbyists, and contemporary artists; artists known for using beadwork as a medium include Liza Lou, Ran Hwang, Hew Locke, Jeffery Gibson, and Joyce J. Scott.
[[Category:Navajo-related templates]] to the <includeonly> section at the bottom of that page. Otherwise, add <noinclude>[[Category:Navajo-related templates]]</noinclude> to the end of the template code, making sure it starts on the same line as the code's last character.
By 1880, Navajo silversmiths were creating handmade jewelry including bracelets, tobacco flasks, necklaces, and bracers. Later, they added silver earrings , buckles , bolos , hair ornaments, pins, and squash blossom necklaces for tribal use, and to sell to tourists as a way to supplement their income.
In 1981, Margaret Wood (Navajo/Seminole) of Arizona, known for fashion design as well as for her quilts, [45] [46] published Native American Fashion: Modern Adaptations of Traditional Designs. [47] The book was the first treatment of contemporary Native American fashion and remains the sole in-depth treatment of the subject. [48]
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