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Cham dance at Leh Palace during the Dosmoche festival, 13 February 2018. The cham dance (Tibetan: འཆམ་, Wylie: ' cham) [2] [3] is a lively masked and costumed dance associated with some sects of Tibetan Buddhism and Buddhist festivals. The dance is accompanied by music played by monks using traditional
Dramyin Cham (Dzongkha: Dramnyen Cham) is a form of Cham dance, a masked and costumed dance performed in Tibetan Buddhism ceremonies in Bhutan, Sikkim, Himalayan West Bengal and Tibet (where they have been outlawed). They are a focal point of the Bhutanese festivals of Tsechu.
Bardo Chham is a folk dance traditional to the Himalayan Buddhist Tribes of Arunachal Pradesh, India. Here in, "Bardo" means "the limbo between death and rebirth" in Tibetan Buddhism, as under the Tibetan Book of Dead. While Chham, literally translates to "Dance" in Tibetan. Bardo Chham is based on the stories of the triumph of good over evil.
Sacred mask dances, known as Cham dance, are carried out in the courtyard of the old chapel, below the gates of the Leh Palace. [6] Lamas are drawn from different monasteries from across Ladakh on a rotation basis for this festival.
The Drametse Ngacham (meaning "mask dance of the drums from Drametse", nga means "drum" and cham means "mask dance") [1] is a sacred dance performed in the village of Drametse in eastern Bhutan. [2] It is performed twice a year during the Drametse festival, which occurs on the fifth and tenth months of the Bhutanese calendar. [2]
The Cham dance festival is held every year on the 28th and 29th day of the 12th lunar month of the Tibetan calendar, corresponding to February of the Gregorian calendar. It is performed by the lamas of this monastery. The lamas dress up as Mahākāla and Guru Drag-dmar (Sanskrit Vajrakila) in colourful costumes for the dance performance ...
Cham dance during Dosmoche festival in Leh Palace. The culture of Ladakh refers to the traditional customs, belief systems, and political systems that are followed by Ladakhi people in India. The languages, religions, dance, music, architecture, food, and customs of the Ladakh region are similar to neighboring Tibet.
Dramyins are notably used in the performance of Dramyin Cham – a cham dance of subjugation performed by Drukpa monks during the singing of Dramyin Choeshay – a religious song. These are performed at religious festivals called tsechus – banned in Tibet, but continuing unabated in Bhutan much as they have been for the past four centuries.