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HDCAM deck HDCAM L tape. SMPTE 367M, also known as SMPTE D-11, is the SMPTE standard for HDCAM. The standard specifies compression of high-definition digital video. D11 source picture rates can be 24, 24/1.001, 25 or 30/1.001 frames per second progressive scan, or 50 or 60/1.001 fields per second interlaced; compression yields output bit rates ranging from 112 to 140 Mbit/s.
Original image, with good text edges and color grade Loss of edge clarity and tone "fuzziness" in heavy JPEG compression. A compression artifact (or artefact) is a noticeable distortion of media (including images, audio, and video) caused by the application of lossy compression.
D-5 HD uses standard D-3/D-5 videocassettes to record HD material, using an intra-frame compression with a 4:1 ratio. It was introduced in 1994. [2] D-5 HD supports the 1080 and the 1035 interlaced line standards at both 60 Hz and 59.94 Hz field rates, all 720 progressive line standards and the 1080 progressive line standard at 24, 25 and 30 frame rates.
Digital single-lens reflex cameras (DSLR) is a camera with a digital sensor that utilizes a reflex mirror to split or direct light into the viewfinder to produce an image. [63] The reflex mirror finds the image by blocking light to the camera's sensor and then reflecting it into the camera's pentaprism which allows it to be seen through the ...
The ratio of width to height for the frame of the televised picture. 4:3 for standard systems, 5:4 for 1K x 1K, and 16:9 for HDTV. ATSC An acronym for "Advanced Televisions System Committee", the organization that defines the standard for high-definition TV in the United States. Attenuation In general terms, a reduction in signal strength. Auto ...
A key component was a single camera-recorder unit, eliminating a cable between the camera and recorder and increasing the camera operator's freedom. The Betacam used the same cassette format (0.5 inches or 1.3 centimetres tape) as the Betamax, but with a different, incompatible recording format. It became standard equipment for broadcast news. [4]
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The imaging process was different from that of a modern digital camera, though the result was similar; Viking used a mechanically scanned facsimile camera rather than a mosaic of solid state sensor elements. [9] This produced a digital image that was stored on tape for later, relatively slow transmission back to Earth. [10] [11]
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