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A gabbang consists of a set of trapezoidal bamboo bars of increasing length resting on a resonator. [2] The number of bars varies with the group that made them: Among Yakans, the number ranges from three to nine bamboo bars, but the common agung gabbang has five; among Tausugs, the number ranges from 14 to 22 bamboo bars, but the common gabbang has 12; and in Palawan, the common gabbang has five.
The xylophone (from Ancient Greek ξύλον (xúlon) 'wood' and φωνή (phōnḗ) 'sound, voice'; [1] [2] lit. ' sound of wood ' ) is a musical instrument in the percussion family that consists of wooden bars struck by mallets .
What differentiated the NBC chimes from these earlier identifying sounds, at least in the beginning, is their use for network communications and coordination. Later they would also become a signature sound representing the network, but their primary initial purpose was to help ensure smooth network operations.
The luntang is a type of Philippine xylophone of the Maguindanaon people, strung vertically, with five horizontal logs hung in ascending order arranged by pitch. The Maguindanaon refer to this instrument as a luntang while the Yakan call it a kwintangan kayo. The cylindrical logs are beaten at the edge to create sounds and can be played either ...
Arthur Hunt Lyman (February 2, 1932 – February 24, 2002) was a Hawaiian jazz vibraphone and marimba player. His group popularized a style of faux-Polynesian music during the 1950s and 1960s which later became known as exotica.
SK Kakraba is a Ghanaian musician and performer of the country's traditional music.He makes and performs gyils, a xylophone containing 14 suspended wooden slats stretched over calabash gourds containing resonators. [1]
The pong lang (Thai: โปงลาง, RTGS: ponglang, Thai pronunciation: [pōːŋ.lāːŋ]) is a xylophone from the Isan region of northeast Thailand. [1] [2] The instrument may be played as a standalone instrument, in pairs with one player playing melody and the other harmonizing, or as part of an orchestra. [2]
The whole melody is shifted up or down one xylophone bar: 1 is replaced by 2, 2 by 3, 3 by 4, 4 by 5 and 5 by 1. Although in the middle of the xylophone, the structure of the piece remains the same, the movement patterns of the musicians are changed, and the okukoonera part may become completely different.
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