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Rasa Renaissance is a movement in the art of painting that makes evocation of rasas (emotional moods) the prime aim in the creation and appreciation of a work of art. Rasa is the quality of emotional fulfilment that a work of art produces through the personalities, their expression and the situation presented in a painting.
In the Indian performing arts, a rasa is a sentiment or emotion evoked in each member of the audience by the art. The Natya Shastra mentions six rasa in one section, but in the dedicated section on rasa it states and discusses eight primary rasa. [24] [13] Each rasa, according to Nātyasāstra, has a presiding deity and a specific colour. There ...
Art, music, literature, as well as personalities that arouse rasas, are all eternally dear to people. That is the ultimate aesthetic. Mumbiram finds it unfortunate that contemporary art is floundering aimlessly without any theory of aesthetic criticism whatsoever. He envisions Rasa Renaissance as an inevitability.
Chapters 6 and 7 present the "Rasa" theory on aesthetics in performance arts, while chapters 8 to 13 are dedicated to the art of acting. [ 43 ] [ 44 ] Stage instruments such as methods for holding accessories, weapons, relative movement of actors and actresses, scene formulation, stage zones, conventions and customs are included in chapters 10 ...
Hiriyanna's foreword to V. Raghavan's "The Number of Rasas" gives one a glimpse of his grasp of the "Rasa Theory" and his perspectives on "Alamkara Shastra". This is clearly expounded in his article titled "Art Experience" published in "The Aryan Path" in 1941.
In the Indian performing arts, a rasa is a sentiment or emotion evoked in each member of the audience by the art. The Natya Shastra mentions six rasa in one section, but in the dedicated section on rasa it states and discusses eight primary rasa. [2] [3] Each rasa, according to Nātyasāstra, has a presiding deity and a specific colour. There ...
Several Houston artists are giving a crash course on CRT via a new exhibition called The Curious Case of Critical The post Houston artists use row houses to bring clarity, truth to distortions of ...
Abhinavaguptas most important work on the philosophy of art is Abhinavabhāratī – a long and complex commentary on Natya Shastra of Bharata Muni. This work has been one of the most important factors contributing to Abhinavagupta's fame up until present day. His most important contribution was that to the theory of rasa (aesthetic savour).