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The Victoria and Albert Museum has many examples of Scottish jewellery from the later half of the 19th century, both pebble styles and Celtic designs. [30] The modernist period of jewellery making began in Britain in the 1950s, inspired by the sleek, simple style of Scandinavian designs from earlier in the 20th century. [31]
The globus cruciger is a golden globe decorated with a band of enamel and diamonds. On top of this is a half-circle of enamel and diamonds. It is topped by a diamond-studded cross. The cross represents Christ's dominion over the orb of the world. [13] It was made in Hamburg for the coronation of Frederick III in 1648.
"Annular" means formed as a ring and "penannular" formed as an incomplete ring; both terms have a range of uses. "Pseudo-penannular" is a coinage restricted to brooches, and refers to those brooches where there is no opening in the ring, but the design retains features of a penannular brooch—for example, emphasizing two terminals.
Gold jewellery from the 10th century Hiddensee treasure, mixing Norse pagan and Christian symbols. Pair of "tortoise brooches," which were worn by married Viking women. Viking art, also known commonly as Norse art, is a term widely accepted for the art of Scandinavian Norsemen and Viking settlements further afield—particularly in the British Isles and Iceland—during the Viking Age of the ...
Later Viking jewelry also starts to exhibit simplistic geometric patterns. [27] The most intricate Viking work recovered is a set of two bands from the 6th century in Alleberg, Sweden. [26] Barbarian jewelry was very similar to that of the Vikings, having many of the same themes. Geometric and abstract patterns were present in much of barbarian ...
Celtic Revival jewellery become fashionable in the 1840s. [44] Utilising this trend, Waterhouse later placed the Tara Brooch as the centerpiece of his replica Celtic brooches in his Dublin shop, and exhibited it at the Great Exhibition of 1851 in London, the Great Industrial Exhibition of 1853 in Dublin, and Exposition Universelle of 1855 in Paris.
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