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Art Nouveau posters and graphic arts flourished and became an important vehicle of the style, thanks to the new technologies of color lithography and color printing, which allowed the creation of and distribution of the style to a vast audience in Europe, the United States and beyond. Art was no longer confined to art galleries, but could be ...
In 1895, Mucha produced the poster for Gismonda, a play starring Sarah Bernhardt. Bernhardt highly admired Mucha's work, commissioning a six-year contract with him. [1] The style employed in Gismonda, le style Mucha, became a sensation in Paris and became known as the Art Nouveau movement. [2] Following Gismonda, Mucha attained an influx of work.
The term Art Nouveau was first used in the 1880s in the Belgian journal L'Art Moderne to describe the work of Les Vingt, twenty painters and sculptors seeking reform through art. The name was popularized by the Maison de l'Art Nouveau ('House of the New Art'), an art gallery opened in Paris in 1895 by the Franco-German art dealer Siegfried Bing.
Illustrator and poster artist in the Art Nouveau style, whose biography is still little studied. He produced scores for Ricordi in Milan. In France, in 1896, he exhibited a lithograph and a magic calendar [ 21 ] at Samuel Bing 's Maison de l'Art Nouveau , a curious esoteric work written in 1895 by Augustin de Croze, illustrated by Orazi and ...
Living in Paris during the Art Nouveau period, he was widely known for his distinctly stylized and decorative theatrical posters, particularly those of Sarah Bernhardt. [4] He produced illustrations, advertisements, decorative panels, as well as designs, which became among the best-known images of the period.
Maison de l'Art Nouveau was opened by Siegfried Bing in Paris: Pan magazine was founded and published by Otto Julius Bierbaum, Julius Meier-Graefe, and Richard Dehmel in Berlin: A poster for Gismonda by Alphonse Mucha was published in Paris: 1896 The poster for the cabaret Le Chat noir was created by Theophile-Alexandre Steinlen in Paris
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Jules Chéret (31 May 1836 – 23 September 1932) was a French painter and lithographer who became a master of Belle Époque poster art. He has been called the father of the modern poster. He has been called the father of the modern poster.
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