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Otaku (Japanese: おたく, オタク, or ヲタク) is a Japanese word that describes people with consuming interests, particularly in anime, manga, video games, or computers. Its contemporary use originated with a 1983 essay by Akio Nakamori in Manga Burikko .
In Japanese slang, otaku is mostly equivalent to "geek" or "nerd", but in a more derogatory manner than used in the West. [33] In 1989, the word "otaku" was shunned in relation to anime and manga after Tsutomu Miyazaki (dubbed "The Otaku Murderer") brutally killed underage girls. [34]
Japanese media dubbed Miyazaki the "Otaku Murderer", in reference to otaku culture. [15] [better source needed] His killings caused a moral panic against otaku, with speculation that anime and horror films had made him a murderer. Various newspapers claimed that Miyazaki had retreated into a fantasy world of manga as a result of his neglected ...
In the original Japanese context, an otaku is someone who has an obsessive interest in something, commonly anime or manga. The term is mostly equivalent to "geek" or "nerd", but in a more derogatory manner than used in the West. The word entered English as a loanword from the Japanese language.
Otaku is a Japanese term for people with obsessive interests, including anime or manga. In its original context, the term otaku is derived from a Japanese term for another's house or family (お宅, otaku), which is also used as an honorific second-person pronoun.
Japanese speakers usually use nijigen (2次元, lit. "two-dimensional space") to refer to a series of anime and manga culture (containing light novels and garage kits). The otaku culture (オタク文化, otaku bunka) refers to the related subculture, [4] while otaku industry (オタク産業, otaku sangyō) refers to related industries.
Otaku: Japan's Database Animals (動物化するポストモダン：オタクから見た日本社会, Dōbutsuka-suru Postmodern: Otaku kara mita Nihon Shakai) is a nonfiction essay that relates otaku culture to postmodernism. It was published by Hiroki Azuma in 2001, [1] and translated into English by the University of Minnesota Press in 2009.
In this context post-war Japan saw the emergence of the first generation of densha otaku. [5] Photography became a popular medium amongst Japanese railfans and, due to the introduction of Shinkansen as well as social factors such as the influence of popular science fiction novels, electric trains became increasingly popular during this period. [6]