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The Tang women inherited the traditional ruqun gown and modified it by opening up the collar to expose their cleavage, which had previously been unimaginable. [30] Rather than the conservative garments worn by earlier Chinese women, women of the Tang era deliberately emphasized their cleavage. [ 24 ]
Some ladies belonging to the higher classes (often of the mestiza caste) consider the tapis a lowly piece of clothing. It resembled the dalantal (apron) worn by the lower classes. The upper-class women of the 1880s to the 1890s wore an elaborate [10] version of the tapis that was tied around the waist with two strings. This was also referred to ...
Traditional male attire of the Igbo people of Nigeria would be “isi agu” and a red cap called an "okpu", is worn on the head while the women wear similar but also wear a vibrant wrapper, called George lace or Akwete. Both men and women adorn themselves with beads, coral, and other traditional jewelry to signify status, wealth, and cultural ...
Cheongsam (UK: / tʃ (i) ɒ ŋ ˈ s æ m /, US: / tʃ ɔː ŋ ˈ s ɑː m /) or zansae, also known as the qipao (/ ˈ tʃ iː p aʊ /) and sometimes referred to as the mandarin gown, is a Chinese dress worn by women which takes inspiration from the qizhuang, the ethnic clothing of the Manchu people.
Tagalog maginoo (nobility) wearing baro in the Boxer Codex (c.1590). Baro't saya evolved from two pieces of clothing worn by both men and women in the pre-colonial period of the Philippines: the baro (also barú or bayú in other Philippine languages), a simple collar-less shirt or jacket with close-fitting long sleeves; [5] and the tapis (also called patadyong in the Visayas and Sulu ...
[54] [76]: 384–417 Earliest images of nomadic Xianbei-style dress in China tend to be depicted as a knee-length tunic with narrow sleeves, with a front opening, which can typically be collarless, round-collared, and sometimes be V-neck collared; men and women tend to wear that knee-length tunic over trousers for men and long, ground-length ...
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