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The discography of the British band the Jam consists of 6 studio albums, 5 live albums, 8 compilation albums, 5 box sets, 6 videos, 3 extended plays, 18 singles, and 3 B-sides. The band, who formed in 1972, didn't debut until five years later in 1977, when they released their debut studio album In the City , which entered the UK Albums Chart at ...
The mod revival is a subculture that started in the United Kingdom in the late 1970s and later spread to other countries (to a lesser degree).. The Mod Revival started with disillusionment with the punk scene when commercialism set in. [citation needed] It was featured in an article in Sounds music paper in 1976 and had a big following in Reading/London during that time.
Around this time, the Jam slimmed their team of two producers to one, Vic Coppersmith-Heaven, who helped develop the group's sound. [29] In 1978, the Jam released their third LP, All Mod Cons, which included three previously released tracks among the 12 in total: "David Watts", "'A' Bomb In Wardour Street", and "Down in the Tube Station at ...
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It should only contain pages that are The Jam albums or lists of The Jam albums, as well as subcategories containing those things (themselves set categories). Topics about The Jam albums in general should be placed in relevant topic categories .
The Gift is the sixth and final studio album by the English rock band the Jam. It was originally released on 12 March 1982 by Polydor as the follow-up to the Jam's critically and commercially successful studio album Sound Affects (1980). The songs were largely recorded during 1981 to 1982, at George Martin's AIR Studios, assisted by Peter Wilson.
"That's Entertainment" is a 1980 song by British punk-mod revivalist group the Jam from their fifth album, Sound Affects. Although never released as a domestic single in the UK during the band's lifetime, "That's Entertainment" nonetheless charted as an import single (backed by a live version of "Down in the Tube Station at Midnight"), peaking at No. 21. [1]
All Mod Cons is the third studio album by the British band the Jam, released in 1978 by Polydor Records. The title, a British idiom one might find in housing advertisements, is short for "all modern conveniences" and is a pun on the band's association with the mod revival. The cover is a visual joke showing the band in a bare room.